The great divide
October 14, 2005 | 12:00am
Beware of your hips, a saleslady once said, theyll be the death of you. If my mother hadnt taught me better, shed be six feet under and covered in hideous macramé belts. But saleslady advice aside, there is something frightening about revealing your bodys actual shape. Sure, tight tees and fitted jeans mold to your form, but something about the cinched look thats been debuted at catwalks for the past year have been striking a cord in women all around the world something, perhaps, akin to fear.
When Christian Dior launched his New Look in the 40s, people were aghast. It was in the midst of war and women were being told to conserve as much as they could. Due to wartime constrictions, fuel and food were at a premium. Even fabric, utilized for far more practical things than fashion, had their price. So when models debuted his corseted silhouette, with its dramatic shape and seemingly excessive use of fabric, consumers and retailers couldn't help but wonder whether the designer had a few screws loose.
But, as the trenches of glamour have shown and proven, what was once deemed radical and incredibly different soon becomes trendy and part of the design vocabulary. Diors silhouette clearly defined the waist, a clear shift from the loose flapper dresses that draped itself on the reigning emaciated figures of the day.
Though tight narrow shoulders and widely flaring skirts were part of Diors touch, theyre not widely in vogue today, unless you count southern belles in their prom attire. But the belt, a distinct feature at many a fashion show for the past year, has been making a comeback. Where has it been, you ask. Stuck in the annals of designer closets with shoulder pads and leather fringe. And while shoulder pads will never return to the runway fingers crossed some designers have seen fit to return to the looser version of Diors feminine propaganda. Stefano Pilati, Yves Saint Laurents designer who replaced the celebrated multi-tasker Tom Ford, focused on streamlined proportions: narrow sleeves, ruffled blouses, wasp-waists and slight bell-shaped skirts. Made in light printed fabrics like chiffon, mixed with hardier fabrics for the skirts, the look was somehow familiar, reminiscent of mothers Vogue back in the day, but also a fresh perspective for an industry caught up in embellishment and color splashes. The writers over at Style.com raved about Pilatis collection, claiming last years waist-cinching belt as "the fulcrum of his silhouette."
Readers may roll their eyes at this claim, fearing all waist-cinching accoutrements as enemies of the full-figured. While this silhouette does flatter the weak of appetite, it does not snub women with curves. In fact, the style slightly corseted and hourglass shaped makes any woman brave enough to try it look determined and confident. Her curves are her own. Damn the stick-thin insects who say otherwise. It draws the bust up and makes the hip curve an inviting accent to a womans natural shape. Forget shapeless sackcloth and baggy jeans, the new woman knows how to work with her shape and flaunt it. Nothing says modern woman like a great outfit and a little self-confidence. As my gal Missy Elliot likes to say, "Let me work it."
Trappings and trimmings: Green pants with large floral print, Shapes, P699.75; blue button-down shirt, Shapes, P699.75; and belt, SM, P79.75
Trappings and trimmings: Shorts, Chocolate, P1,195; bangles, Fashionista, P129.75 each; belt, Alexandria, P299.75; and striped top, Chocolate, P795
Trappings and trimmings: Belt, Alexandria, P229.75; jeans, Lee, P899.75; and top, Pipay, P899.75
Trappings and trimmings: Tights, City Lady, P119.75; belt, Alexandria, P299.75; top, J&M, P495.75; skirt, Bissy Missy, P349.75; and shoes, Janeo, P595
Trappings and trimmings: Cardigan, SM, P199.75; belt, SM, P199.75; skirt, Chill, P579.75; and top, Chill, P829.75
Trappings and trimmings: Belted jacket, Liv, P1,299.75; lace pants, Avel Bacudio, P800; and ruffled blouse, Efren Ocampo, P1,599.75.
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