An evening with Roberto Cavalli
One never forgets a Cavalli fashion spread in any magazine. The colors are eye-catching and the clothes are wild, sexy, and erotic. As one gets familiar with his style and his fashion, one gets to realize that Cavalli’s strength is in making wild, erotic clothes that push sensuality to the limit without becoming vulgar. This talent has attracted a wide client base of attractive men and women who want to look hot without looking indecent.
I first noticed Cavalli’s store many years ago on Madison Avenue in
A happy ending to this episode: The salesgirl called me in July, and told me the store was starting to go on sale for a few weeks. The two outfits, which attracted my fancy, were still there at 50 percent less their original price. They were meant to be mine!
Through the years, I kept abreast of Cavalli’s fashion as I found it so unique and colorful but with a classic edge to it. A few weeks ago, I had the opportunity to meet him during a dinner party in his honor hosted by Yue Sai Kan, China’s TV star and cosmetic queen. It was held at her fabulous five-story town house in
Cavalli grew up in
In
His last collection in
The stage was an Art Deco temple, and the catwalk was in beige to make it look like sand. When the first model came out wearing a cowboy hat, white trousers that tapered towards the ankle, a white silk shirt and tie, and cave girl boots, the audience was swept off their feet to a
The collection had trench coats that came traditional, the luxury part hidden on the silk lining. Blousons were cut generously, the band featured rivets and a thin sash added like a drawstring. The safari jacket was reworked, giving it volume by adding expanded pockets.
The Indiana Jones influence was not just seen on the trousers and masculine clothing. It was also seen on the skirt suits. Pencil skirts were paired with snug-fitting bush jackets.
A Cavalli winter collection is never complete without furs. He favored leopard skin and mink this time, luxurious without being overt.
But what brought the house down were the gowns at the finale. A deep green V-neck gown that had tiny pleats that it looked like a mini accordion, a halter neck green chiffon adorned with a bustier-inspired belt in semi precious stones, and a svelte golden gown that showed off the model’s every curve were some of the gowns that proved Cavalli’s genius.
Mancini capped the interview by saying that Cavalli wants his women to have an erotic, almost feral quality, symbolized this season by their soft, suede cave girl boots, Indian feather earrings and necklaces, belts in tortoiseshell and mother-of-pearl objects. The mainstays are his classic belts in leather and animal prints with attractive buckles, accessories in gold, enamel and leather, and bejeweled bags in satin, leather and skin.
Asked what the spring-summer of 2008 would bring, he said his lips are sealed: “Just wait and see as it will be another sensational collection!”