A welcome alternative from Bayang Barrios
March 9, 2005 | 12:00am
In a world reeling from the vocal histrionics of singing contests winners and their equally soaring idols, the music of Bayang Barrios is a welcome alternative. Intense and full-bodied, her singing never fails to mesmerize and she uses that remarkable voice to provide advice to the youth facing a darkening future and to give vent to her concern for nature, the welfare of indigenous peoples and other worthy causes.
Such themes are what we usually find in the modern folk recordings by Filipino talents. There was a time many years ago when folk was the hot music of the moment and Freddie Aguilar, Asin and Joey Ayalas Bagong Lumad of which Bayang was a member, were the leading artists. Unfortunately, the genre has since gone out of favor. This past decade has seen folk relegated to the backseat in favor of trendier and whatever is now considered more commercial stuff.
Thankfully, Bayang Barrios refuses to be cowed by this development. She bravely plods on, undaunted by the competition and the supposed demands of the market.
Alon, her latest album and second indie release, showcases the unique blend of folk and rock that has always been associated with her. Indie is showbiz slang for independent and it means that promo-wise Bayang this time around does not have the backing of a major record label.
I am glad to say though that this situation has not in any way affected the integrity of her music and her determination to come up with a high-quality recording. Alon is well-produced with meaningful songs straddling that interesting line between folk and jazz. Each of these is presented with well-thought out and mostly innovative arrangements that surprise, gladden and in some cases, also agitate.
Most familiar among these is Malayo Man, Malapit Din, the song composed by Bayang herself that won the Grand Prize at the Metropop songwriting competition two years ago. Most prominent is Alon, a breezy tune about hurrying through the day and winding down in the evening. Written and arranged by Bayangs husband, Mike Villegas, it anchors the package as the first and last cuts.
The most beautiful among them is Halik sa Hangin, a bittersweet lament about a lost love sang to the moon and the wind. Most haunting is Buhi Sa Kanunay, a traditional Visayan love song that has Bayangs vocals at its best. But the most interesting of them all is Asa Ka ng Asa, another Bayang composition arranged here as a multi-layered reggae tune. This is the kind that makes you wonder why nobody has taken any notice of Filipino talents as potential World Music stars.
Other songs are Asya, Sa Piling Mo, Matagal Mo Nang Mundo, Isipin Mo Nalang, Nag-iisang Mundo and Naglalakbay.
Parokya ni Edgar continues its metal harvest with another Platinum Award signifying sales of 30,000 copies. This one is for the popular groups Inuman Sessions, which is made up of its hit recordings. However, this is not your usual compilation album with cuts taken from previous albums. Parokya ni Edgar hied off to a recording studio and performed the songs live, the way they would with a regular gig. Printed on the cover is the excuse they give for the new versions, Pasensya nat nakainom. The fans are so pleased, they bought the album and made it Platinum.
Among the cuts included are Buloy, Lutong Bahay (Cooking ng Ina Mo), Silvertoes, Please Dont Touch My Birdie, Harana, Okatokat featuring Jay of Kamikazee, Inuman Na, Picha Pie, Swimming Beach, The Yes, Yes Show featuring FrancisM, Kaleidoscope World, This Guys in Love with You, Pare, Chikinini and of course, Mr. Suave. The recording is available in both CD and VCD formats.
According to the latest Hit Chart of the music channel MYX, the top videos of the week are: True by Ryan Cabrera; KLSP by Sponge Cola; Do Somethin by Britney Spears; Beautiful Soul by Jesse McCartney; Steamy Nights by Billy Crawford; Each Day with You by Nyoy Volante & Mannos; Youll be Safe Here by Rivermaya; Get Right by Jennifer Lopez; Bulong by Kitchie Nadal; Someone to Love by Kyla;
Too Crazy by South Border; Love Moves in Mysterious Ways by Nina; Yong Bu Ting Zhi by Ken Zhu; He Wasnt by Avril Lavigne; Shut Up by Simple Plan; Soldier by Destinys Child; Boulevard of Broken Dreams by Green Day; Over and Over by Nelly/Tim McGraw; and 1, 2 Step by Ciara.
Such themes are what we usually find in the modern folk recordings by Filipino talents. There was a time many years ago when folk was the hot music of the moment and Freddie Aguilar, Asin and Joey Ayalas Bagong Lumad of which Bayang was a member, were the leading artists. Unfortunately, the genre has since gone out of favor. This past decade has seen folk relegated to the backseat in favor of trendier and whatever is now considered more commercial stuff.
Thankfully, Bayang Barrios refuses to be cowed by this development. She bravely plods on, undaunted by the competition and the supposed demands of the market.
Alon, her latest album and second indie release, showcases the unique blend of folk and rock that has always been associated with her. Indie is showbiz slang for independent and it means that promo-wise Bayang this time around does not have the backing of a major record label.
I am glad to say though that this situation has not in any way affected the integrity of her music and her determination to come up with a high-quality recording. Alon is well-produced with meaningful songs straddling that interesting line between folk and jazz. Each of these is presented with well-thought out and mostly innovative arrangements that surprise, gladden and in some cases, also agitate.
Most familiar among these is Malayo Man, Malapit Din, the song composed by Bayang herself that won the Grand Prize at the Metropop songwriting competition two years ago. Most prominent is Alon, a breezy tune about hurrying through the day and winding down in the evening. Written and arranged by Bayangs husband, Mike Villegas, it anchors the package as the first and last cuts.
The most beautiful among them is Halik sa Hangin, a bittersweet lament about a lost love sang to the moon and the wind. Most haunting is Buhi Sa Kanunay, a traditional Visayan love song that has Bayangs vocals at its best. But the most interesting of them all is Asa Ka ng Asa, another Bayang composition arranged here as a multi-layered reggae tune. This is the kind that makes you wonder why nobody has taken any notice of Filipino talents as potential World Music stars.
Other songs are Asya, Sa Piling Mo, Matagal Mo Nang Mundo, Isipin Mo Nalang, Nag-iisang Mundo and Naglalakbay.
Among the cuts included are Buloy, Lutong Bahay (Cooking ng Ina Mo), Silvertoes, Please Dont Touch My Birdie, Harana, Okatokat featuring Jay of Kamikazee, Inuman Na, Picha Pie, Swimming Beach, The Yes, Yes Show featuring FrancisM, Kaleidoscope World, This Guys in Love with You, Pare, Chikinini and of course, Mr. Suave. The recording is available in both CD and VCD formats.
Too Crazy by South Border; Love Moves in Mysterious Ways by Nina; Yong Bu Ting Zhi by Ken Zhu; He Wasnt by Avril Lavigne; Shut Up by Simple Plan; Soldier by Destinys Child; Boulevard of Broken Dreams by Green Day; Over and Over by Nelly/Tim McGraw; and 1, 2 Step by Ciara.
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