Romantic music Journey/ The Sarazas/Performances
Eminent pianists Ingrid Sala Santamaria and Reynaldo Reyes started their 14th Romantic Concerto Journey (RPCJ) June 25 in
The engagement, which wrapped up a total of 273 RPCJ concerts in bi-annual tours in seven years, received “a truly moving reception; it was a fitting finale,” commented Ingrid, recipient of the French Chevalier des Palmes Academiques and the Chevalier de l ’Ordre National du Merite.
This year’s tour began with a concert and masterclass at the
In Metro Manila, the duo gave concerts at F. Santiago Hall, Luneta Park, the Philippine HS for the Arts, the UST, the PWU, two at Sta. Isabel College, Miriam College, and Ateneo U., one in Eissing Piano Studio in Alabang, six concertos in a single night at Manila Polo Club’s Turf Room, two concertos at the German embassy residence, and in the J. Romero and Associates offices.
The provincial tour included three concerts at
At the open forums, non-musicians learned about the art of piano-playing, especially the interpretation of piano concertos, the ideal practice hours for pianists, where they derive inspiration, and whether a piano career can begin at five or 50!
Reynaldo, graduate of the Paris Conservatory and winner of the Premiere Prix in the Long Thibaud international competition, gained converts by asserting that classical music produces more brain cells than rock music, thus making listeners of the former more intelligent.
The Saraza brothers — Diomedes Jr., 16, and Maurice Ivan, 24, both violinists, played Sunday at St. Cecilia’s Hall, St. Scholastica College in whose music department, headed by Dean Sr. Mary Placid Abejo, they both trained before leaving for New York, studying there for the last two years, and winning prizes in various contests and participating in festivals.
Sunday’s concert offered standard favorites. Diomedes interpreted an adaptation of “God Save the King/Queen” (
Frank’s Sonata in A Major was a vibrant, tingling partnership between Maurice Ivan and the brilliant pianist Greg Zuniega whose brio, flair and élan shone. Ivan concluded the program with Mendelssohn’s Violin Concerto in E Minor with MSO’s support under Molina who triumphantly guided the orchestra through the movements, distinctly etching one from the other, each section spiritedly responding to the soothingly lyrical and the intensely dramatic, with the final tuttis leading to a stirring climax.
Both brothers played expressively with striking technical facility; their cadenzas were arresting. While they are still honing their highly uncommon skills with fervid diligence, they will presumably join the ranks of virtuosos Gilopez Kabayao, Coke Bolipata and Joseph Esmilla in due time.
Performing tonight: Clara Ramona’s Centro de Danza Flamenca in “Tablao Flamenco!”,
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