Why there’s a sudden interest in Henry Mancini

I initially found it strange that items about the Italian/American composer Henry Mancini were suddenly popping up online these past weeks when I thought there was no reason for them to do so. I love Mr. Mancini’s music very much but he had already passed away so what could be newsworthy about him?

It turned out that I was so wrong. The reason why media had developed a sudden interest in Mr. Mancini was because he would have been a hundred years old last April 16. He was born in Ohio to a family of Italian immigrants on April 16, 1924. He died on June 14, 1994 from pancreatic cancer. So that was why there was this concert at the Hollywood Bowl, a new tribute album and Michael Bublé is singing Moon River.

Mancini grew up to become a conductor, arranger, flutist, pianist, concert performer and one of the greatest composers in the history of film music. Moon River, Days of Wine and Roses, Music from Peter Gunn, theme from “The Pink Panther,” Once is Not Enough, Charade and so many others. No wonder a lot of people want to celebrate him. I do, too.

Mancini created pretty melodies. His works were nothing earthshaking but they were classy and made being lazy and listless, not only acceptable but utterly chic. What sort of image do you get when you hear Charade? Dinner on a boat sailing the River Seine. What about Speak Softly Love? I say fields and fields of sunflowers. What tune would you like playing in your head while walking the sidewalks of Manhattan? Once is Not Enough. And when you get to your destination at Tiffany’s? Of course, Moon River plays in your soundtrack.

There are more as I rediscovered while going over his bio for this piece. No wonder there was this pretty little tune The Sweetheart Tree at the end of “The Great Race.” It was by Mancini. Is there anything cuter than the Baby Elephant Walk from “Hatari.” He did the music for the most binged series of the ‘70s era “The Thornbirds.”  He worked on the music of “Me Natalie” with Rod McKuen, plus Moment to Moment, Dear Heart and who can dismiss one of my all-time favorites, the music of “Two for the Road” and its meaningful theme song.

Mancini also excelled as an arranger. His work on A Time for Us, the Nino Rota tune from “Romeo and Juliet” and Love Story by Francis Lai made the hit charts. He is credited with the clever use of Ravel’s Bolero in “10.” Remember Bo Derek and her corn rows rising out of the sea? And many more. Suffice to say, back in those days, the ‘70s and ‘80s eras, Mancini was the go-to guy if you wanted a movie score that was sentimental, sexy, trendy and which would become a hit.

Mancini recorded 90 albums during his lifetime. He was nominated 72 times at the Grammy Awards. He won 20 of them including Album of the Year for “The Music from Peter Gunn” in 1958, Best Instrumental Arrangement for A Time for Us, the love theme from “Romeo and Juliet” in 1969, then Record of the Year and Song of the Year for Moon River from “Breakfast at Tiffany’s” in 1961. He was nominated 18 times at the Academy Awards and won four times including Best Original Song for Moon River in 1961 and another Best Original Song again a year later for “Days of Wine and Roses.”

What a life made for celebration indeed.

An interesting tribute album titled Henry Mancini, the 100th Sessions is set to drop soon. It is made up of new recordings of Mancini’s songs including Peter Gunn by Quincy Jones, John Williams, Herbie Hancock and Arturo Sandoval, the Moon River by Bublé and the theme from “The Pink Panther” by Lizzo and flutist James Galway, plus others.