+ Follow TAD ERMITA Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 1249669
[Title] => Art changes the world
[Summary] => Kidlat Tahimik’s Memories of Overdevelopment Redux: A Castaway’s 33-Year Celluloid Journey (1980-2013 version) had its Asian premiere last Saturday at the 8Q adjunct venue of Singapore Art Museum. A repeat screening followed yesterday.
[DatePublished] => 2013-10-28 00:00:00
[ColumnID] => 134575
[Focus] => 0
[AuthorID] => 1804845
[AuthorName] => Alfred A. Yuson
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] => http://img593.imageshack.us/img593/8558/ubio.jpg
)
[1] => Array
(
[ArticleID] => 629466
[Title] => Many ways to molest the machine
[Summary] => A new tool opens the doors to new kinds of music.” So says Tad Ermitaño, media artist, writer-critic, and filmmaker.
[DatePublished] => 2010-11-14 00:00:00
[ColumnID] => 135509
[Focus] => 0
[AuthorID] => 1479270
[AuthorName] => Luis Katigbak
[SectionName] => Gadgets
[SectionUrl] => gadgets
[URL] =>
)
)
)
TAD ERMITA
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 1249669
[Title] => Art changes the world
[Summary] => Kidlat Tahimik’s Memories of Overdevelopment Redux: A Castaway’s 33-Year Celluloid Journey (1980-2013 version) had its Asian premiere last Saturday at the 8Q adjunct venue of Singapore Art Museum. A repeat screening followed yesterday.
[DatePublished] => 2013-10-28 00:00:00
[ColumnID] => 134575
[Focus] => 0
[AuthorID] => 1804845
[AuthorName] => Alfred A. Yuson
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] => http://img593.imageshack.us/img593/8558/ubio.jpg
)
[1] => Array
(
[ArticleID] => 629466
[Title] => Many ways to molest the machine
[Summary] => A new tool opens the doors to new kinds of music.” So says Tad Ermitaño, media artist, writer-critic, and filmmaker.
[DatePublished] => 2010-11-14 00:00:00
[ColumnID] => 135509
[Focus] => 0
[AuthorID] => 1479270
[AuthorName] => Luis Katigbak
[SectionName] => Gadgets
[SectionUrl] => gadgets
[URL] =>
)
)
)
abtest
