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Nilo Ilarde was hanging “Shark,” a work composed of a Cadillac rear, against a corner when I chanced upon him at Finale Art File (finaleartfile.com). Putting the last touches on “Sit Up Don’t Move Smile (reinventing black, 1957 to today),” on view until Oct. 31, he was deliberating on the work’s position, asking the gallery assistants to lower it for a couple of inches.

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                    [AuthorName] => Carlomar Arcangel Daoana
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ELAINE NAVAS

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Nilo Ilarde was hanging “Shark,” a work composed of a Cadillac rear, against a corner when I chanced upon him at Finale Art File (finaleartfile.com). Putting the last touches on “Sit Up Don’t Move Smile (reinventing black, 1957 to today),” on view until Oct. 31, he was deliberating on the work’s position, asking the gallery assistants to lower it for a couple of inches.

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abtest

The curator is present

By Carlomar Arcangel Daoana | October 27, 2014 - 12:00am

Nilo Ilarde was hanging “Shark,” a work composed of a Cadillac rear, against a corner when I chanced upon him...

Arts and Culture