MANILA, Philippines – Director Pedring Lopez is a father of two and likes to cook for his children when location shootings are not that hectic.
Proudly pointing to us his loving wife, you can sense his inborn passion as a family man. One could deduce that he keeps a few friends as well.
These few friends probably share his special passion for the moment which is filmmaking.
Director Pedring Lopez on the set of Nilalang
Talking to him in this special meeting before we watch the first teaser trailer of Nilalang, an official entry in this year’s Metro Manila Film Festival (MMFF), Lopez says there is a need to fill the vacuum for action pictures now that hardly any action flick figures in local cinema.
The director has a special advantage because he has ample exposure in advertising work and was deep into directing music videos and commercials before he turned to feature films.
The importance of doing storyboards for every sequence of the film is to him a must as it helps him pinpoint the color that applies to every frame of the film. “The lights should not clash with the production design,” says he. “Nothing is left to chance when you do storyboards. It is a good guide on the kind of film you want to produce.”
He reveals his script has been hibernating for 10 years but he thought now was the time to execute it with the right creative team.
He recalls: “When we started with Robin Padilla in the lead role, the creative was all in place. When he backed out to attend to his wife who had a miscarriage, we had to form another creative and production team and had to work double time to find a good replacement. The role went to Cesar Montano who we realized was a perfect choice. He was abroad at that time and upon reading the script, he just said yes. He didn’t mind being the second choice.”
Montano admits: “It doesn’t really matter if I am the second or the ninth choice. What matters was that the role went to me and I tell you, the role turned out special. Truth to tell, I was amazed. I didn’t realize this new assignment will turn out this good. I really hope more filmmakers like him (Pedring Lopez) will emerge.”
Lopez notes the actor has aged beautifully and is even more in perfect shape in his early 50s.
Finding Montano’s leading lady came by accident. By chance, he came across a radio interview with Maria Ozawa who is a celebrity in Japan as an adult video actress. At first, he couldn’t believe Ozawa was in Manila. He thought the Oriental sequence of his script with samurai episodes of 15th century Japan will make Ozawa just perfect for the part.
In Nilalang, Ozawa plays the part of Miyuki, the daughter of an elder Yakuza leader based in Manila.
Lopez finds the actress, who is born to a Japanese father and a French-Canadian mother, very professional that she agreed to do some difficult stunts just to look credible for the part. “She had bruises and swollen arms after some takes but she didn’t mind at all,” the director rues.
From Montano: “There was no hardship she could not hurdle. In this dusty, half-finished building where we shot some sequence, there were layers of dust all over the place. She went through her sequence just like any other professional.”
Ozawa is getting a good feel of Manila and has taken to liking Filipino food like adobo.
She says: “I could eat adobo every day and not mind it at all. What was too adventurous for me was being asked to try the balut. I thought it was a nightmare.”
For the new project, nothing was left to chance.
Lopez says the re-assembled creative team is composed of people with roots in the advertising industry. Needless to say, the film went through a regimen that goes with making a branded commercial.
Everything was studied and planned from storytelling to casting, shooting, editing and even promotions with an eye for international market.
Adds the post-production house creative director for content Rex Lopez: “We did Nilalang in an unconventional way — not to be different for the sake of being different. We did the project because we believe that today’s viewers are more discerning. Today’s moviegoers know when they are just being taken for a ride or when they are seeing a really good work. They can tell when big names are just a smokescreen for lack of depth in story and characters.”
Lopez agrees there is a need to set a new standard for Filipino films, especially in the action-horror genre.
The initial trailer of Nilalang, which was heavily applauded after the preview, is an indication of an exciting action-thriller worth watching in the coming MMFF.
The director points out Nilalang is technically his third film as he did a French film titled 408 before Binhi. Moreover, the production team is indie but the budget and look of the film are very much mainstream.
He concludes: “We, Pinoys, are one of the most creative people in the world. It’s about time our work reflected that.”
Nilalang, a joint venture of Haunted Tower Pictures, Paralux Studios and Viva Films, opens on Dec. 25.