Budapest Hotel soon at Ayala Malls

Ralph Fiennes and Tony Revolori, stars of the movie  

MANILA, Philippines - Meet Zero, a lobby boy who became the proprietor of the Grand Budapest Hotel. Follow his funny rags-to-riches story in the thrilling caper comedy movie The Grand Budapest Hotel to be shown exclusively at Ayala Malls Cinemas nationwide starting April 19. 

The Grand Budapest Hotel is a thrilling caper in constant motion, kinetic and comic; a timeless tale of friendship, honor and promises fulfilled. Director Wes Anderson says his eighth feature film comes from a mix of inspirations including the pre-code comedies of the ’30s and the stories and memoirs of Viennese writer Stefan Zweig.

At the beginning of The Grand Budapest Hotel, Jude Law portrays the role of “the Young Writer” who finds himself in conversation with the enigmatic Mr. Moustafa, who from his earlier years is known as Zero, the hotel’s owner, who sets about relating the story of how he rose from the ranks of junior lobby boy to become the proprietor of the Grand Budapest.

Playing Zero Moustafa in his youth, during the period when he first arrives at the hotel, is newcomer Tony Revolori.  Since Zero was intended to hail from a fictional Middle-Eastern country, director Anderson originally started seeking out actors in Lebanon and Israel, as well as North Africa, and various European immigrant communities — but eventually he found Revolori, who has a Guatemalan background, during auditions in Los Angeles. As soon as he met him, Anderson recognized the same open earnestness that characterizes Zero. And when he introduced Revolori to Fiennes, the comedic chemistry was immediately clear.

Fiennes was impressed not only by Revolori’s preparation, but also by his strong natural instincts. â€œTony as Zero brings this wonderful quality of intelligent innocence. He’s innocent but he’s also very smart,” says Fiennes. 

Their rapport was obvious to everyone on the set. Observes Willem Dafoe: â€œRalph has his British reserve, his dry humor and his beautiful sense of language, and Tony is just so fresh and easy. The minute I saw them together, I thought it was a fantastic combination.”

Playing Zero as an older man is F. Murray Abraham, who, as he details the history of his character’s rise to his current stature, comes to serve as the story’s main narrator. Abraham was thrilled to take on the role of raconteur. “One of the things that I do well is tell stories,” he notes. “I have a granddaughter, I’m very close to her, and telling her stories and listening to her tell me stories is one of the joys of my life. I also believe that’s a tradition upon which films are based — storytelling — although those great tales that really say something seem to have been lost somewhere. Wes insists on saying something, and in this film, which I believe to be his best, he tells a story that will have you smiling the whole way through.” 

Especially interesting to Abraham was the notion that the adult Zero Moustafa has weathered both war and personal tragedy, and yet manages to maintain a lightness of spirit. â€œZero has led a very full life and lost everyone who was dear to him, but he’s not cynical. To me that’s a very important facet of Zero, and it happens that I share that facet.” 

Zero found the love of his life in Mendl’s, the best and most famous bakery in Zubrowka. Amidst the rolling-pins and puff-pastry, that Zero meets Agatha, a striking apprentice with a birthmark on her face, who makes the town’s favorite pastry of all, the “Courtesanau chocolat.” To play Agatha, Anderson cast Irish actress Saoirse Ronan, who received an Academy Award nomination at age 13 for her supporting role in Joe Wright’s adaptation of Atonement.  

Ronan jumped in without reservation.  The actress recalls her first day on the set: “I came in, and the whole place was just kind of buzzing. There were loads of people running around; and you could see everyone was at the top of their game because Wes is so specific about what he wants when it comes to the look and the style. You could see that everyone was really tuned into his way of working.”

 

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