^
+ Follow VLADIMIR AND ESTRAGON Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 344821
                    [Title] => Godot, Wer Is U? / Caces, Sipin recitals
                    [Summary] => The Irish dramatist Samuel Beckett wrote Waiting for Godot  in English, later translating  it into French for Paris audiences. According to  Studs Terkel, when the play was staged in the US in the 50s, critics wrote: "How dare you? This is horrible,  loathesome, dirty; this is a hoax, a fake, a fraud. How could you perpetrate this on the great American public?"  Walter Winchell claimed he wouldn’t soil his mouth reporting on the play. In Miami, more than half of the audience left  before the play was over.

[DatePublished] => 2006-07-01 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 251971 [Title] => Grappling with Godot [Summary] => Its Premiere in Paris in 1953 was ignored. In London, it was ridiculed. In 1955, Alan Schneider was hired to direct the American premiere, in Miami. Schneider had come to playwright Samuel Beckett’s Paris apartment bursting with pre-production curiosities, especially regarding the identity of the title character. To Schneider’s query, "Who is Godot?" the laconic playwright famously retorted, "If I knew, I would have said so in the play." Audiences and critics similarly panned the Miami production.
[DatePublished] => 2004-05-30 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1661087 [AuthorName] => Rabbi Gannaban [SectionName] => Starweek Magazine [SectionUrl] => starweek-magazine [URL] => ) ) )
VLADIMIR AND ESTRAGON
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 344821
                    [Title] => Godot, Wer Is U? / Caces, Sipin recitals
                    [Summary] => The Irish dramatist Samuel Beckett wrote Waiting for Godot  in English, later translating  it into French for Paris audiences. According to  Studs Terkel, when the play was staged in the US in the 50s, critics wrote: "How dare you? This is horrible,  loathesome, dirty; this is a hoax, a fake, a fraud. How could you perpetrate this on the great American public?"  Walter Winchell claimed he wouldn’t soil his mouth reporting on the play. In Miami, more than half of the audience left  before the play was over.

[DatePublished] => 2006-07-01 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 251971 [Title] => Grappling with Godot [Summary] => Its Premiere in Paris in 1953 was ignored. In London, it was ridiculed. In 1955, Alan Schneider was hired to direct the American premiere, in Miami. Schneider had come to playwright Samuel Beckett’s Paris apartment bursting with pre-production curiosities, especially regarding the identity of the title character. To Schneider’s query, "Who is Godot?" the laconic playwright famously retorted, "If I knew, I would have said so in the play." Audiences and critics similarly panned the Miami production.
[DatePublished] => 2004-05-30 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1661087 [AuthorName] => Rabbi Gannaban [SectionName] => Starweek Magazine [SectionUrl] => starweek-magazine [URL] => ) ) )
abtest
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