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                    [Title] => The humble also deserve the tribute
                    [Summary] => 



This is a sequel to the "Singing Sons" in reminiscent tribute for its revival to perpetuate Mandaue's rich cultural heritage. Aside from, and later complementing with, the all-male chorus, there's the bisexual choral ensemble informally dubbed as the "Singing Mandauehanons".


                    [DatePublished] => 2007-02-24 00:00:00
                    [ColumnID] => 133156
                    [Focus] => 0
                    [AuthorID] => 1471332
                    [AuthorName] => Lorenzo Paradiang Jr.
                    [SectionName] => Freeman Opinion
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SINGING MANDAUEHANONS

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                    [Title] => The humble also deserve the tribute
                    [Summary] => 



This is a sequel to the "Singing Sons" in reminiscent tribute for its revival to perpetuate Mandaue's rich cultural heritage. Aside from, and later complementing with, the all-male chorus, there's the bisexual choral ensemble informally dubbed as the "Singing Mandauehanons".


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                    [ColumnID] => 133156
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                    [AuthorID] => 1471332
                    [AuthorName] => Lorenzo Paradiang Jr.
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The humble also deserve the tribute

By Lorenzo Paradiang Jr. | February 24, 2007 - 12:00am

This is a sequel to the "Singing Sons" in reminiscent tribute for its revival to perpetuate Mandaue's rich cultural heritage. Aside from, and later complementing with, the all-male chorus, there's the bisexual...

Freeman Opinion