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Here’s the thing. You go inside a blood-red room, grab the microphone and do your own shambolic rendition of the devil’s own composition, the tune behind many absurd killings in Filipino karaoke bars, My Way.
                    [DatePublished] => 2011-03-28 00:00:00
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                    [Title] => Singapore Biennale 2006: Belief is the word
                    [Summary] => We were standing in front of the old city hall in Singapore, and we were attempting to levi-tate it.


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                    [Title] => Singapore Biennale 2006: So, who’s afraid of contemporary art?
                    [Summary] => Contemporary art can transport a person into a place that is strange and familiar at the same time. It offers us new ways of looking at an old world. That’s how weirdly great art is supposed to be, anyway.


Hmmm, allow me to first explain contemporary art in terms of music. For music geeks saturated with by-the-numbers rock n’ roll and retroactive garage punk, eccentricity can be found in composers malcontented with traditional musical forms, musicians in love with revolutions.  


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SINGAPORE BIENNALE

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Here’s the thing. You go inside a blood-red room, grab the microphone and do your own shambolic rendition of the devil’s own composition, the tune behind many absurd killings in Filipino karaoke bars, My Way.
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                    [Title] => Singapore Biennale 2006: Belief is the word
                    [Summary] => We were standing in front of the old city hall in Singapore, and we were attempting to levi-tate it.


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                    [Title] => Singapore Biennale 2006: So, who’s afraid of contemporary art?
                    [Summary] => Contemporary art can transport a person into a place that is strange and familiar at the same time. It offers us new ways of looking at an old world. That’s how weirdly great art is supposed to be, anyway.


Hmmm, allow me to first explain contemporary art in terms of music. For music geeks saturated with by-the-numbers rock n’ roll and retroactive garage punk, eccentricity can be found in composers malcontented with traditional musical forms, musicians in love with revolutions.  


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SINGAPORE BIENNALE 2011: 'Open House' and the doors of perception

By Igan D’Bayan | March 28, 2011 - 12:00am

Here’s the thing. You go inside a blood-red room, grab the microphone and do your own shambolic rendition of the devil’s own composition, the tune behind many absurd killings in Filipino karaoke bars,...

Arts and Culture

Singapore Biennale 2006: Belief is the word

By Igan D’Bayan | September 22, 2006 - 12:00am

We were standing in front of the old city hall in Singapore, and we were attempting to levi-tate it.

Young Star

Singapore Biennale 2006: So, who’s afraid of contemporary art?

By Igan D’Bayan | September 15, 2006 - 12:00am

Contemporary art can transport a person into a place that is strange and familiar at the same time. It offers us new ways of looking at an old world. That’s how weirdly great art is supposed to be, anyway. Hmmm,...

Young Star