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                    [Title] => A lyrical production for Tchaikovsky’s ‘Onegin’
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Tchaikovsky’s Eugene Onegin is an anomaly in the world of opera. Composed of lyric scenes in three acts, it has little of the passion and bombast of verismo, none of the vocal calisthenics of bel canto, the splendor of baroque opera, or the epic grandeur of Wagnerian opera. What it does have is the heart of the Russian people.
                    [DatePublished] => 2006-10-30 00:00:00
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                    [AuthorID] => 1420681
                    [AuthorName] => Joseph Cortes
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PRINCE GREMIN

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                    [Title] => A lyrical production for Tchaikovsky’s ‘Onegin’
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Tchaikovsky’s Eugene Onegin is an anomaly in the world of opera. Composed of lyric scenes in three acts, it has little of the passion and bombast of verismo, none of the vocal calisthenics of bel canto, the splendor of baroque opera, or the epic grandeur of Wagnerian opera. What it does have is the heart of the Russian people.
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A lyrical production for Tchaikovsky’s ‘Onegin’

By Joseph Cortes | October 30, 2006 - 12:00am

Tchaikovsky’s Eugene Onegin is an anomaly in the world of opera. Composed of lyric scenes in three acts, it has little of the passion and bombast of verismo, none of the vocal calisthenics of bel canto,...

Arts and Culture