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The opening of “Pop Life” at the Tate Modern was greeted, appropriately enough, with hype and controversy. And what could be more sensational than Scotland Yard appearing at the doorstep of London’s cathedral of modern art, threatening to suspend the champagne popping unless “Spiritual America,” a work by American painter and photographer Richard Prince, was withdrawn from the exhibition.
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POP LIFE

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The opening of “Pop Life” at the Tate Modern was greeted, appropriately enough, with hype and controversy. And what could be more sensational than Scotland Yard appearing at the doorstep of London’s cathedral of modern art, threatening to suspend the champagne popping unless “Spiritual America,” a work by American painter and photographer Richard Prince, was withdrawn from the exhibition.
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The material world of pop life

April 10, 2010 - 12:00am

The opening of “Pop Life” at the Tate Modern was greeted, appropriately enough, with hype and controversy. And what could be more sensational than Scotland Yard appearing at the doorstep of London’s...

Modern Living