Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 2526537
                    [Title] => No alternates: Eugene Domingo continues meta of ‘Ang Babae sa Septic Tank’
                    [Summary] => 
Eugene Domingo leads the cast of  ‘Ang Babae Sa Septic Tank 4: Oh Sh*t! It’s Live Sa Cheter!,’ which will run from June 19 to August 16, 2026. 

                    [DatePublished] => 2026-05-10 12:45:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1806975
                    [AuthorName] => Jap Tobias
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => https://media.philstar.com/photos/2026/05/08/eugene-domingo-lead_2026-05-08_16-00-22661_thumbnail.jpg
                )

            [1] => Array
                (
                    [ArticleID] => 2520724
                    [Title] => PETA’s ‘Control + Shift’ interrogates power, complicity onstage and off
                    [Summary] => 
At its core, "Control + Shift" returns to its intent of changing narratives. 

                    [DatePublished] => 2026-04-14 17:30:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1806975
                    [AuthorName] => Jap Tobias
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => https://media.philstar.com/photos/2026/04/13/lead-photo-1_2026-04-13_16-01-31772_thumbnail.jpg
                )

            [2] => Array
                (
                    [ArticleID] => 2517680
                    [Title] => In ‘Mabining Mandirigma,’ revolutionary wisdom refuses to stay in the past
                    [Summary] => 
Tanghalang Pilipino’s 2026 staging of Mabining Mandirigma: A Steampunk Musical continues to resonate, a reminder that Mabini’s mind, moral urgency, and question — “Is it difficult to think as a Filipino?” — remain alive, and will only grow more relevant in future restagings.

                    [DatePublished] => 2026-03-29 17:34:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1806975
                    [AuthorName] => Jap Tobias
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => https://media.philstar.com/photos/2026/03/29/mabini_2026-03-29_14-08-41908_thumbnail.jpg
                )

            [3] => Array
                (
                    [ArticleID] => 2394756
                    [Title] => Philippine theater gets funding support from ‘Music, Movies, Magic’
                    [Summary] => Funding is the “greatest challenge” that the theater landscape is facing today, according to Philippine Philharmonic Orchestra Society, Inc. president Margie Moran Floirendo.
                    [DatePublished] => 2024-10-24 00:00:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1222527
                    [AuthorName] => Charmie Joy Pagulong
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => https://media.philstar.com/photos/2024/10/23/2-1_2024-10-23_19-14-19500_thumbnail.jpg
                )

            [4] => Array
                (
                    [ArticleID] => 992521
                    [Title] => ‘The real artists are the most honest’
                    [Summary] => 
Tata Nanding Josef, on the occasion of Tanghalang Pilipino’s 26th season. The interview was initially intended to mark TP’s quarter century last year.

                    [DatePublished] => 2013-07-21 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => http://imageshack.us/a/img823/8032/69n6.jpg
                )

            [5] => Array
                (
                    [ArticleID] => 761697
                    [Title] => Tanghalang Pilipino caps season with 'Eyeball'
                    [Summary] => 
Tanghalang Pilipino, the resident drama company of the Cultural Center of the Philippines (CCP), concludes its 25th Theater Season with Eyeball: New Visions in Philippine Theater.
                    [DatePublished] => 2011-12-26 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [6] => Array
                (
                    [ArticleID] => 166664
                    [Title] => Mother Doreen
                    [Summary] => I first read Doreen Gamboa Fernandez when she wrote a review of Nick Joaquin’s An Almanac for Manileños. It was published in Philippine Panorama in the late ’70s. I liked the style of writing, light but not lightweight, and the sensibility  rooted in Philippine history and culture.


                    [DatePublished] => 2002-07-01 00:00:00
                    [ColumnID] => 134677
                    [Focus] => 0
                    [AuthorID] => 1248080
                    [AuthorName] => Danton Remoto
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)

Philippine Theater

Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 2526537
                    [Title] => No alternates: Eugene Domingo continues meta of ‘Ang Babae sa Septic Tank’
                    [Summary] => 
Eugene Domingo leads the cast of  ‘Ang Babae Sa Septic Tank 4: Oh Sh*t! It’s Live Sa Cheter!,’ which will run from June 19 to August 16, 2026. 

                    [DatePublished] => 2026-05-10 12:45:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1806975
                    [AuthorName] => Jap Tobias
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => https://media.philstar.com/photos/2026/05/08/eugene-domingo-lead_2026-05-08_16-00-22661_thumbnail.jpg
                )

            [1] => Array
                (
                    [ArticleID] => 2520724
                    [Title] => PETA’s ‘Control + Shift’ interrogates power, complicity onstage and off
                    [Summary] => 
At its core, "Control + Shift" returns to its intent of changing narratives. 

                    [DatePublished] => 2026-04-14 17:30:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1806975
                    [AuthorName] => Jap Tobias
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => https://media.philstar.com/photos/2026/04/13/lead-photo-1_2026-04-13_16-01-31772_thumbnail.jpg
                )

            [2] => Array
                (
                    [ArticleID] => 2517680
                    [Title] => In ‘Mabining Mandirigma,’ revolutionary wisdom refuses to stay in the past
                    [Summary] => 
Tanghalang Pilipino’s 2026 staging of Mabining Mandirigma: A Steampunk Musical continues to resonate, a reminder that Mabini’s mind, moral urgency, and question — “Is it difficult to think as a Filipino?” — remain alive, and will only grow more relevant in future restagings.

                    [DatePublished] => 2026-03-29 17:34:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1806975
                    [AuthorName] => Jap Tobias
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => https://media.philstar.com/photos/2026/03/29/mabini_2026-03-29_14-08-41908_thumbnail.jpg
                )

            [3] => Array
                (
                    [ArticleID] => 2394756
                    [Title] => Philippine theater gets funding support from ‘Music, Movies, Magic’
                    [Summary] => Funding is the “greatest challenge” that the theater landscape is facing today, according to Philippine Philharmonic Orchestra Society, Inc. president Margie Moran Floirendo.
                    [DatePublished] => 2024-10-24 00:00:00
                    [ColumnID] => 0
                    [Focus] => 1
                    [AuthorID] => 1222527
                    [AuthorName] => Charmie Joy Pagulong
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
                    [URL] => https://media.philstar.com/photos/2024/10/23/2-1_2024-10-23_19-14-19500_thumbnail.jpg
                )

            [4] => Array
                (
                    [ArticleID] => 992521
                    [Title] => ‘The real artists are the most honest’
                    [Summary] => 
Tata Nanding Josef, on the occasion of Tanghalang Pilipino’s 26th season. The interview was initially intended to mark TP’s quarter century last year.

                    [DatePublished] => 2013-07-21 00:00:00
                    [ColumnID] => 0
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => http://imageshack.us/a/img823/8032/69n6.jpg
                )

            [5] => Array
                (
                    [ArticleID] => 761697
                    [Title] => Tanghalang Pilipino caps season with 'Eyeball'
                    [Summary] => 
Tanghalang Pilipino, the resident drama company of the Cultural Center of the Philippines (CCP), concludes its 25th Theater Season with Eyeball: New Visions in Philippine Theater.
                    [DatePublished] => 2011-12-26 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 
                    [AuthorName] => 
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [6] => Array
                (
                    [ArticleID] => 166664
                    [Title] => Mother Doreen
                    [Summary] => I first read Doreen Gamboa Fernandez when she wrote a review of Nick Joaquin’s An Almanac for Manileños. It was published in Philippine Panorama in the late ’70s. I liked the style of writing, light but not lightweight, and the sensibility  rooted in Philippine history and culture.


                    [DatePublished] => 2002-07-01 00:00:00
                    [ColumnID] => 134677
                    [Focus] => 0
                    [AuthorID] => 1248080
                    [AuthorName] => Danton Remoto
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)

abtest