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                    [ArticleID] => 158960
                    [Title] => Lost in the city with Herbert Go
                    [Summary] => In any given city, a net-work of telephone wires hum with conversation from one point of the metropolis to another, and on one such night the Chinese-Filipino theater actor Herbert Go is talking with a reporter about current life and times in Philippine theater.


"It was Rashomon, directed by Tony Mabesa," Go now says, when asked what particular play made an impression and got him hooked for good on Philippine theater.


                    [DatePublished] => 2002-04-28 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1431668
                    [AuthorName] => Juaniyo Arcellana
                    [SectionName] => Starweek Magazine
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PEKING OPERA

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                    [Title] => Lost in the city with Herbert Go
                    [Summary] => In any given city, a net-work of telephone wires hum with conversation from one point of the metropolis to another, and on one such night the Chinese-Filipino theater actor Herbert Go is talking with a reporter about current life and times in Philippine theater.


"It was Rashomon, directed by Tony Mabesa," Go now says, when asked what particular play made an impression and got him hooked for good on Philippine theater.


                    [DatePublished] => 2002-04-28 00:00:00
                    [ColumnID] => 133272
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Lost in the city with Herbert Go

By Juaniyo Arcellana | April 28, 2002 - 12:00am

In any given city, a net-work of telephone wires hum with conversation from one point of the metropolis to another, and on one such night the Chinese-Filipino theater actor Herbert Go is talking with a reporter about...

Starweek Magazine