^
+ Follow MY SOCRATES Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 186999
                    [Title] => IBO the first
                    [Summary] => Some months ago Sean Power, main man of the acid jazz slash funk group IBO, wrote to say thanks for a review of his band’s second album, Moon of Compassion, that came out in another section of this newspaper. Before that he had called on the phone to convey his and IBO’s appreciation for the write-up, saying that since the project was an independent one, they needed all the help and exposure they could get. He also mentioned that he was starting to put together tracks for IBO 3. 

[DatePublished] => 2002-12-08 00:00:00 [ColumnID] => 133240 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [1] => Array ( [ArticleID] => 160695 [Title] => The real Uncle Sean’s Band [Summary] => It must have been sometime in the early ’90s when we ran into jazz guitarist Johnny Alegre outside La Salle Taft, at the mall and fast food center near the LRT station.

He was hyper as usual, and over a few beers at the fast food cafeteria he updated us on what went on in his jazz life since last we saw each other in the late ’70s, when he played for a string of bands, like Hourglass and Phase II, and later on moving on to Akasha.
[DatePublished] => 2002-05-13 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
MY SOCRATES
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 186999
                    [Title] => IBO the first
                    [Summary] => Some months ago Sean Power, main man of the acid jazz slash funk group IBO, wrote to say thanks for a review of his band’s second album, Moon of Compassion, that came out in another section of this newspaper. Before that he had called on the phone to convey his and IBO’s appreciation for the write-up, saying that since the project was an independent one, they needed all the help and exposure they could get. He also mentioned that he was starting to put together tracks for IBO 3. 

[DatePublished] => 2002-12-08 00:00:00 [ColumnID] => 133240 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [1] => Array ( [ArticleID] => 160695 [Title] => The real Uncle Sean’s Band [Summary] => It must have been sometime in the early ’90s when we ran into jazz guitarist Johnny Alegre outside La Salle Taft, at the mall and fast food center near the LRT station.

He was hyper as usual, and over a few beers at the fast food cafeteria he updated us on what went on in his jazz life since last we saw each other in the late ’70s, when he played for a string of bands, like Hourglass and Phase II, and later on moving on to Akasha.
[DatePublished] => 2002-05-13 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
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