+ Follow MILO SOGUECO Tag
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[ArticleID] => 1542564
[Title] => Patterns in nature
[Summary] => For her latest solo exhibit, Olivia d'Aboville uses textile manipulation to replicate aerial views of the earth.
[DatePublished] => 2016-01-14 09:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1488003
[AuthorName] => Marbbie C. Tagabucba
[SectionName] => YStyle
[SectionUrl] => ystyle
[URL] =>
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[1] => Array
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[ArticleID] => 1354302
[Title] => Mariquina: No biz like shoe biz
[Summary] => The Cinemalaya New Breed entry Mariquina is director Milo Sogueco’s “labor of love” successfully delivered — a measured, richly told elegy of the Marikina shoe industry and of a way of life.
[DatePublished] => 2014-08-06 00:00:00
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[SectionName] => Entertainment
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[ArticleID] => 1353125
[Title] => The making of Marie Pineda
[Summary] => The world is depressing — that seems to be the running theme in many of my movies,” LA-based Filipina film producer Marie Pineda tells me. We are in a coffee shop on a stormy Wednesday evening, inside the same mall where her family’s upscale department store, Adora, is located. Her pleasant air hardly betrays an inclination towards themes of misery, although after having seen the trailers of her two Cinemalaya 2014 entries, Dagitab and Mariquina, I am inclined to believe she could have that emotional dexterity.
[DatePublished] => 2014-08-03 00:00:00
[ColumnID] => 133273
[Focus] => 0
[AuthorID] => 1804861
[AuthorName] => Chonx Tibajia
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
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[ArticleID] => 515402
[Title] => Pawning your time for Sanglaan
[Summary] => For several generations now, there have been two establishments where we’d rather not be seen coming in and out of by people we know: A motel and a pawnshop.
[DatePublished] => 2009-10-20 00:00:00
[ColumnID] => 135733
[Focus] => 0
[AuthorID] => 1186451
[AuthorName] => Butch Francisco
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
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[4] => Array
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[ArticleID] => 490760
[Title] => The lonely business of dreaming
[Summary] => In his directorial debut, Sanglaan (The Pawnshop), Milo Sogueco doesn’t stray far from home.
[DatePublished] => 2009-07-29 00:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1805321
[AuthorName] => Philip Cu-Unjieng
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
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MILO SOGUECO
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[ArticleID] => 1542564
[Title] => Patterns in nature
[Summary] => For her latest solo exhibit, Olivia d'Aboville uses textile manipulation to replicate aerial views of the earth.
[DatePublished] => 2016-01-14 09:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1488003
[AuthorName] => Marbbie C. Tagabucba
[SectionName] => YStyle
[SectionUrl] => ystyle
[URL] =>
)
[1] => Array
(
[ArticleID] => 1354302
[Title] => Mariquina: No biz like shoe biz
[Summary] => The Cinemalaya New Breed entry Mariquina is director Milo Sogueco’s “labor of love” successfully delivered — a measured, richly told elegy of the Marikina shoe industry and of a way of life.
[DatePublished] => 2014-08-06 00:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
[2] => Array
(
[ArticleID] => 1353125
[Title] => The making of Marie Pineda
[Summary] => The world is depressing — that seems to be the running theme in many of my movies,” LA-based Filipina film producer Marie Pineda tells me. We are in a coffee shop on a stormy Wednesday evening, inside the same mall where her family’s upscale department store, Adora, is located. Her pleasant air hardly betrays an inclination towards themes of misery, although after having seen the trailers of her two Cinemalaya 2014 entries, Dagitab and Mariquina, I am inclined to believe she could have that emotional dexterity.
[DatePublished] => 2014-08-03 00:00:00
[ColumnID] => 133273
[Focus] => 0
[AuthorID] => 1804861
[AuthorName] => Chonx Tibajia
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[3] => Array
(
[ArticleID] => 515402
[Title] => Pawning your time for Sanglaan
[Summary] => For several generations now, there have been two establishments where we’d rather not be seen coming in and out of by people we know: A motel and a pawnshop.
[DatePublished] => 2009-10-20 00:00:00
[ColumnID] => 135733
[Focus] => 0
[AuthorID] => 1186451
[AuthorName] => Butch Francisco
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
[4] => Array
(
[ArticleID] => 490760
[Title] => The lonely business of dreaming
[Summary] => In his directorial debut, Sanglaan (The Pawnshop), Milo Sogueco doesn’t stray far from home.
[DatePublished] => 2009-07-29 00:00:00
[ColumnID] => 0
[Focus] => 0
[AuthorID] => 1805321
[AuthorName] => Philip Cu-Unjieng
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
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