+ Follow METHENY Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 498019
[Title] => 10,000 hours in the woodshed
[Summary] => They say jazz music ain’t cheap. It costs a lot — musicians spending decades in the woodshed, practicing, busking on street corners, or playing in crummy, low-lit clubs, trying to be heard above the chatter and clink of long-neck bottles.
[DatePublished] => 2009-08-23 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[1] => Array
(
[ArticleID] => 40964
[Title] => Jazzed
[Summary] =>
[DatePublished] => 2008-01-27 00:00:00
[ColumnID] => 136345
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[2] => Array
(
[ArticleID] => 265301
[Title] => Guitarspeak with Pat Metheny
[Summary] => Its ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique thats anything but guitar-like.
From duo settings with mentor and jazz legend Jim Hall to full-blown band settings with Ornette Coleman, Herbie Hancock, Michael Brecker, Steve Reich and of course, the Pat Metheny Group, Methenys horn-like and unpredictably complex melodic lines weave in and out of the most challenging chord progressions.
[DatePublished] => 2004-09-26 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1773807
[AuthorName] => Tinnie P. Esguerra
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
METHENY
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 498019
[Title] => 10,000 hours in the woodshed
[Summary] => They say jazz music ain’t cheap. It costs a lot — musicians spending decades in the woodshed, practicing, busking on street corners, or playing in crummy, low-lit clubs, trying to be heard above the chatter and clink of long-neck bottles.
[DatePublished] => 2009-08-23 00:00:00
[ColumnID] => 136008
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[1] => Array
(
[ArticleID] => 40964
[Title] => Jazzed
[Summary] =>
[DatePublished] => 2008-01-27 00:00:00
[ColumnID] => 136345
[Focus] => 0
[AuthorID] => 1804693
[AuthorName] => Scott R. Garceau
[SectionName] => Sunday Lifestyle
[SectionUrl] => sunday-life
[URL] =>
)
[2] => Array
(
[ArticleID] => 265301
[Title] => Guitarspeak with Pat Metheny
[Summary] => Its ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique thats anything but guitar-like.
From duo settings with mentor and jazz legend Jim Hall to full-blown band settings with Ornette Coleman, Herbie Hancock, Michael Brecker, Steve Reich and of course, the Pat Metheny Group, Methenys horn-like and unpredictably complex melodic lines weave in and out of the most challenging chord progressions.
[DatePublished] => 2004-09-26 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1773807
[AuthorName] => Tinnie P. Esguerra
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
abtest