^
+ Follow METHENY Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 498019
                    [Title] => 10,000 hours in the woodshed
                    [Summary] => 

They say jazz music ain’t cheap. It costs a lot — musicians spending decades in the woodshed, practicing, busking on street corners, or playing in crummy, low-lit clubs, trying to be heard above the chatter and clink of long-neck bottles.

[DatePublished] => 2009-08-23 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [1] => Array ( [ArticleID] => 40964 [Title] => Jazzed [Summary] => [DatePublished] => 2008-01-27 00:00:00 [ColumnID] => 136345 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [2] => Array ( [ArticleID] => 265301 [Title] => Guitarspeak with Pat Metheny [Summary] => It’s ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique that’s anything but guitar-like.

From duo settings with mentor and jazz legend Jim Hall to full-blown band settings with Ornette Coleman, Herbie Hancock, Michael Brecker, Steve Reich and of course, the Pat Metheny Group, Metheny’s horn-like and unpredictably complex melodic lines weave in and out of the most challenging chord progressions.
[DatePublished] => 2004-09-26 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1773807 [AuthorName] => Tinnie P. Esguerra [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )
METHENY
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 498019
                    [Title] => 10,000 hours in the woodshed
                    [Summary] => 

They say jazz music ain’t cheap. It costs a lot — musicians spending decades in the woodshed, practicing, busking on street corners, or playing in crummy, low-lit clubs, trying to be heard above the chatter and clink of long-neck bottles.

[DatePublished] => 2009-08-23 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [1] => Array ( [ArticleID] => 40964 [Title] => Jazzed [Summary] => [DatePublished] => 2008-01-27 00:00:00 [ColumnID] => 136345 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [2] => Array ( [ArticleID] => 265301 [Title] => Guitarspeak with Pat Metheny [Summary] => It’s ironic how one of the most innovative jazz guitar titans of the past few decades has evolved a soloing philosophy and technique that’s anything but guitar-like.

From duo settings with mentor and jazz legend Jim Hall to full-blown band settings with Ornette Coleman, Herbie Hancock, Michael Brecker, Steve Reich and of course, the Pat Metheny Group, Metheny’s horn-like and unpredictably complex melodic lines weave in and out of the most challenging chord progressions.
[DatePublished] => 2004-09-26 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1773807 [AuthorName] => Tinnie P. Esguerra [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) ) )
abtest
By Scott R. Garceau | January 27, 2008 - 12:00am
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