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It was the taxi driver Mang Nards who briefed me on the various destinations of employees of this newspaper — the old maid who had innumerable apartments, the drunk man who has to be driven right to his doorstep, the talkative queer who lived in an exclusive village in Makati, the pretty young woman who stayed in Quezon City and took the taxi when her car was number coded, and Igan D’Bayan, whose paintings were always sold out even before the show started.


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                    [AuthorName] => Juaniyo Arcellana
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MANG NARDS

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It was the taxi driver Mang Nards who briefed me on the various destinations of employees of this newspaper — the old maid who had innumerable apartments, the drunk man who has to be driven right to his doorstep, the talkative queer who lived in an exclusive village in Makati, the pretty young woman who stayed in Quezon City and took the taxi when her car was number coded, and Igan D’Bayan, whose paintings were always sold out even before the show started.


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Hand of doom: The art of Igan D’Bayan

By Juaniyo Arcellana | February 12, 2007 - 12:00am

It was the taxi driver Mang Nards who briefed me on the various destinations of employees of this newspaper — the old maid who had innumerable apartments,...

Arts and Culture