+ Follow JUAN PASANG KRUS Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 427914
[Title] => Madam President, we don't feel safe.
[Summary] => FOREVER HOPING: Pollsters say that 92 percent of Filipinos, at least the few hundreds who were asked, claim to be optimistic about the incoming year.
[DatePublished] => 2009-01-01 00:00:00
[ColumnID] => 135304
[Focus] => 0
[AuthorID] => 1804858
[AuthorName] => Federico D. Pascual Jr.
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
[1] => Array
(
[ArticleID] => 239310
[Title] => Protest votes to decide trapos’ fate on May 10
[Summary] => MAN WITH THE HOE: The San Francisco Examiner published on January 15, 1899, a poem by Edwin Markham, a teacher in nearby Oakland, inspired by Jean-François Millet’s painting ‘L’homme à la houe".
The painting showed leaning on his mud-caked hoe a weary French peasant who seemed, in that painful pause captured by Millet, to carry the burden of the world’s exploited masses:
Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
[DatePublished] => 2004-02-17 00:00:00
[ColumnID] => 136322
[Focus] => 0
[AuthorID] => 1804858
[AuthorName] => Federico D. Pascual Jr.
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
)
)
JUAN PASANG KRUS
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 427914
[Title] => Madam President, we don't feel safe.
[Summary] => FOREVER HOPING: Pollsters say that 92 percent of Filipinos, at least the few hundreds who were asked, claim to be optimistic about the incoming year.
[DatePublished] => 2009-01-01 00:00:00
[ColumnID] => 135304
[Focus] => 0
[AuthorID] => 1804858
[AuthorName] => Federico D. Pascual Jr.
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
[1] => Array
(
[ArticleID] => 239310
[Title] => Protest votes to decide trapos’ fate on May 10
[Summary] => MAN WITH THE HOE: The San Francisco Examiner published on January 15, 1899, a poem by Edwin Markham, a teacher in nearby Oakland, inspired by Jean-François Millet’s painting ‘L’homme à la houe".
The painting showed leaning on his mud-caked hoe a weary French peasant who seemed, in that painful pause captured by Millet, to carry the burden of the world’s exploited masses:
Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
[DatePublished] => 2004-02-17 00:00:00
[ColumnID] => 136322
[Focus] => 0
[AuthorID] => 1804858
[AuthorName] => Federico D. Pascual Jr.
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
)
)
abtest
