^
+ Follow JOSE HONORATO LOZANO Tag
JOSE HONORATO LOZANO
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 234852
                    [Title] => What was it like?
                    [Summary] => What was it like in the middle of the 19th century? What did Manila buildings look like? What did the people do? How were they dressed? Much information on these and other points can be obtained by examining the paintings of Jose Lozano (of Sampaloc and San Miguel) whose best work was done from about 1840 to the 1860s. His paintings are discussed and reproduced in a "coffee-table" book entitled Jose Honorato Lozano. Filipinas 1847 by Jose Ma. Cariño (Ars Mundi, Philippines, 2002).

[DatePublished] => 2004-01-12 00:00:00 [ColumnID] => 133160 [Focus] => 0 [AuthorID] => 1804677 [AuthorName] => Fr. Miguel A. Bernad, SJ [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 185084 [Title] => Jose Maria Cariño’s book a priceless heritage [Summary] => Our most treasured artistic heritage is a letras y figuras painting by Jose Honorato Lozano whose name is not found in the Encyclopedia of the Philippines nor in the Who’s Who in Philippine History by historian Carlos Quirino who was the founding father of the Ayala Library and Museum and director of both the National Museum and National Library. The reason we treasured the painting was that the name it featured was that of Balvino Mauricio who was implicated in the Cavite Mutiny of 1872 and exiled to Guam. [DatePublished] => 2002-11-23 00:00:00 [ColumnID] => 135432 [Focus] => 0 [AuthorID] => 1115213 [AuthorName] => Alejandro R. Roces [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
abtest
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