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                    [Summary] => The first thing that grabs you about the stage adaptation of Insiang is the stage itself. When I entered the CCP’s Tanghalang Huseng Batute, I thought I had strayed into a piece of slum inferno with the obligatory sampayan, sari-sari store, girlie posters, gin bulag bottles, Virgin Marys, panties, plastic basins, etc. The only thing missing, wisecracked the person beside me, was the stench.
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HESUS LOTA

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                    [Title] => Nothing so Cinderella about Insiang
                    [Summary] => The first thing that grabs you about the stage adaptation of Insiang is the stage itself. When I entered the CCP’s Tanghalang Huseng Batute, I thought I had strayed into a piece of slum inferno with the obligatory sampayan, sari-sari store, girlie posters, gin bulag bottles, Virgin Marys, panties, plastic basins, etc. The only thing missing, wisecracked the person beside me, was the stench.
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Nothing so Cinderella about Insiang

By Igan D’Bayan | August 26, 2002 - 12:00am

The first thing that grabs you about the stage adaptation of Insiang is the stage itself. When I entered the CCP’s Tanghalang Huseng Batute, I thought I had strayed into a piece of slum inferno with the obligatory...

Arts and Culture