+ Follow GOOD COUNTRY PEOPLE Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 286997
[Title] => The element of surprise
[Summary] =>
For sheer shock value, two stories stand out most clearly in my mind: Shirley Jacksons "The Lottery" and Flannery OConnors "Good Country People." Id rather not spoil the fun (or the horror) for you by telling you what these stories specifically involve; suffice it to say that when "The Lottery" was published in The New Yorker in 1948, the maga
[DatePublished] => 2005-07-18 00:00:00
[ColumnID] => 135214
[Focus] => 0
[AuthorID] => 1804847
[AuthorName] => Butch Dalisay
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
[1] => Array
(
[ArticleID] => 224043
[Title] => Evil in fiction
[Summary] => An interesting situation came up in my writing class a couple of Fridays ago. A student submitted a story or rather, the beginning of one that had to do with a girl who was being abused by her stepfather. This led to a discussion of how writers should best deal with evil and wrongdoing in their stories.
[DatePublished] => 2003-10-13 00:00:00
[ColumnID] => 135214
[Focus] => 0
[AuthorID] => 1804847
[AuthorName] => Butch Dalisay
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
)
)
GOOD COUNTRY PEOPLE
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 286997
[Title] => The element of surprise
[Summary] =>
For sheer shock value, two stories stand out most clearly in my mind: Shirley Jacksons "The Lottery" and Flannery OConnors "Good Country People." Id rather not spoil the fun (or the horror) for you by telling you what these stories specifically involve; suffice it to say that when "The Lottery" was published in The New Yorker in 1948, the maga
[DatePublished] => 2005-07-18 00:00:00
[ColumnID] => 135214
[Focus] => 0
[AuthorID] => 1804847
[AuthorName] => Butch Dalisay
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
[1] => Array
(
[ArticleID] => 224043
[Title] => Evil in fiction
[Summary] => An interesting situation came up in my writing class a couple of Fridays ago. A student submitted a story or rather, the beginning of one that had to do with a girl who was being abused by her stepfather. This led to a discussion of how writers should best deal with evil and wrongdoing in their stories.
[DatePublished] => 2003-10-13 00:00:00
[ColumnID] => 135214
[Focus] => 0
[AuthorID] => 1804847
[AuthorName] => Butch Dalisay
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
)
)
abtest