^
+ Follow GOOD COUNTRY PEOPLE Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 286997
                    [Title] => The element of surprise
                    [Summary] => 
(Second Of Two Parts)
For sheer shock value, two stories stand out most clearly in my mind: Shirley Jackson’s "The Lottery" and Flannery O’Connor’s "Good Country People." I’d rather not spoil the fun (or the horror) for you by telling you what these stories specifically involve; suffice it to say that when "The Lottery" was published in The New Yorker in 1948, the maga [DatePublished] => 2005-07-18 00:00:00 [ColumnID] => 135214 [Focus] => 0 [AuthorID] => 1804847 [AuthorName] => Butch Dalisay [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [1] => Array ( [ArticleID] => 224043 [Title] => Evil in fiction [Summary] => An interesting situation came up in my writing class a couple of Fridays ago. A student submitted a story – or rather, the beginning of one – that had to do with a girl who was being abused by her stepfather. This led to a discussion of how writers should best deal with evil and wrongdoing in their stories.
[DatePublished] => 2003-10-13 00:00:00 [ColumnID] => 135214 [Focus] => 0 [AuthorID] => 1804847 [AuthorName] => Butch Dalisay [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
GOOD COUNTRY PEOPLE
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 286997
                    [Title] => The element of surprise
                    [Summary] => 
(Second Of Two Parts)
For sheer shock value, two stories stand out most clearly in my mind: Shirley Jackson’s "The Lottery" and Flannery O’Connor’s "Good Country People." I’d rather not spoil the fun (or the horror) for you by telling you what these stories specifically involve; suffice it to say that when "The Lottery" was published in The New Yorker in 1948, the maga [DatePublished] => 2005-07-18 00:00:00 [ColumnID] => 135214 [Focus] => 0 [AuthorID] => 1804847 [AuthorName] => Butch Dalisay [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [1] => Array ( [ArticleID] => 224043 [Title] => Evil in fiction [Summary] => An interesting situation came up in my writing class a couple of Fridays ago. A student submitted a story – or rather, the beginning of one – that had to do with a girl who was being abused by her stepfather. This led to a discussion of how writers should best deal with evil and wrongdoing in their stories.
[DatePublished] => 2003-10-13 00:00:00 [ColumnID] => 135214 [Focus] => 0 [AuthorID] => 1804847 [AuthorName] => Butch Dalisay [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
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