^
+ Follow FOLSOM PRISON Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 322543
                    [Title] => A celebration of young love
                    [Summary] => Film review: Walk the Line


Translating the lives of music stars into film is a huge challenge for any director and this holds true whether the subject is Mozart (Amadeus) or Patsy Cline (Sweet Dreams). Milk the unfortunate events and you get a tearjerking melodrama. Tone it down and you lose the essence of the remarkable persona that made the legend. Hit a happy middle ground and you end up with a mediocre product, a sort of VH-1 Behind the Music documentary.
[DatePublished] => 2006-02-21 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1804842 [AuthorName] => Baby A. Gil [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [1] => Array ( [ArticleID] => 319812 [Title] => Red state blues [Summary] => The comparison is inevitable, if unfair: unlike Ray, an epic, sprawling biopic expanding Ray Charles’ life into a decades-long struggle for black civil rights, Walk the Line remains determinedly concentrated on the love story that brought Johnny and June Carter Cash together. On paper, it seems exciting and inspired: focusing on the defining period of one man’s life to capture his entire being. [DatePublished] => 2006-02-03 00:00:00 [ColumnID] => 133164 [Focus] => 0 [AuthorID] => 1447883 [AuthorName] => Lanz Leviste [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
FOLSOM PRISON
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 322543
                    [Title] => A celebration of young love
                    [Summary] => Film review: Walk the Line


Translating the lives of music stars into film is a huge challenge for any director and this holds true whether the subject is Mozart (Amadeus) or Patsy Cline (Sweet Dreams). Milk the unfortunate events and you get a tearjerking melodrama. Tone it down and you lose the essence of the remarkable persona that made the legend. Hit a happy middle ground and you end up with a mediocre product, a sort of VH-1 Behind the Music documentary.
[DatePublished] => 2006-02-21 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1804842 [AuthorName] => Baby A. Gil [SectionName] => Entertainment [SectionUrl] => entertainment [URL] => ) [1] => Array ( [ArticleID] => 319812 [Title] => Red state blues [Summary] => The comparison is inevitable, if unfair: unlike Ray, an epic, sprawling biopic expanding Ray Charles’ life into a decades-long struggle for black civil rights, Walk the Line remains determinedly concentrated on the love story that brought Johnny and June Carter Cash together. On paper, it seems exciting and inspired: focusing on the defining period of one man’s life to capture his entire being. [DatePublished] => 2006-02-03 00:00:00 [ColumnID] => 133164 [Focus] => 0 [AuthorID] => 1447883 [AuthorName] => Lanz Leviste [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
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