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Tenor Abdul Candao, who is based in Vienna where he teaches at the Conservatory, gave his listeners a musical adventure at the F. Santiago Hall by rendering little-known songs by Charles Ives, with pianist Najib Ismail as assisting artist. The American composer is not credited, except by musicologists, for being a precursor of Stravinsky (for his poly-rhythms), Bartok (for his discords), Henry Cowell (for his tone clusters), Schoenberg (for his atonality) and Boulez (for his music of chance).


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FERRER AND NENEN ESPINA

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Tenor Abdul Candao, who is based in Vienna where he teaches at the Conservatory, gave his listeners a musical adventure at the F. Santiago Hall by rendering little-known songs by Charles Ives, with pianist Najib Ismail as assisting artist. The American composer is not credited, except by musicologists, for being a precursor of Stravinsky (for his poly-rhythms), Bartok (for his discords), Henry Cowell (for his tone clusters), Schoenberg (for his atonality) and Boulez (for his music of chance).


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Mini reviews

By SUNDRY STROKES | February 21, 2007 - 12:00am

Tenor Abdul Candao, who is based in Vienna where he teaches at the Conservatory, gave his listeners a musical adventure at the F. Santiago Hall by rendering little-known songs by Charles Ives, with pianist...

Opinion