+ Follow ELVIS COSTELLO AND VAN MORRISON Tag
Array
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[results] => Array
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[0] => Array
(
[ArticleID] => 330846
[Title] => UN, Central, Carriedo
[Summary] => Once there was a girl, nameless as usual, whom we followed in a jeepney ride along Taft Avenue in a now forgotten decade. A girl from St. Scholasticas College, with a bracelet around her ankle. She got off somewhere in Pasay, where we stalked her a bit before trailing off.
Of course, not before asking that classic line, "Miss, can I know your name?" which scared her off and nevertheless evolved into a poem called "The Girl who Rode on Fassbinders Jeepney," the pedestrian transforming from a form of pedophilia into something more sublime.
[DatePublished] => 2006-04-10 00:00:00
[ColumnID] => 133271
[Focus] => 0
[AuthorID] => 1431668
[AuthorName] => Juaniyo Arcellana
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
)
)
ELVIS COSTELLO AND VAN MORRISON
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 330846
[Title] => UN, Central, Carriedo
[Summary] => Once there was a girl, nameless as usual, whom we followed in a jeepney ride along Taft Avenue in a now forgotten decade. A girl from St. Scholasticas College, with a bracelet around her ankle. She got off somewhere in Pasay, where we stalked her a bit before trailing off.
Of course, not before asking that classic line, "Miss, can I know your name?" which scared her off and nevertheless evolved into a poem called "The Girl who Rode on Fassbinders Jeepney," the pedestrian transforming from a form of pedophilia into something more sublime.
[DatePublished] => 2006-04-10 00:00:00
[ColumnID] => 133271
[Focus] => 0
[AuthorID] => 1431668
[AuthorName] => Juaniyo Arcellana
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
)
)
abtest