^
+ Follow EL CAMINO REAL Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 452384
                    [Title] => Remembering our first president
                    [Summary] => 

On March 22, 2009, the 140th anniversary of President Emilio Aguinaldo passed with little fanfare.

[DatePublished] => 2009-03-28 00:00:00 [ColumnID] => 135429 [Focus] => 0 [AuthorID] => 1115213 [AuthorName] => Alejandro R. Roces [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 132299 [Title] => Miong’s mother [Summary] => Interesting, but sad and a bit unfair, is Tanghalang Pilipino’s portrayal of Kapitana Teneng, mother of Emilio Aguinaldo, in Nick Joaquin’s El Camino Real. This strong woman was portrayed as the villain – the higante – in Aguinaldo’s life who reduces him to a sniveling coward. Even more tragic, in my opinion, is this portrayal as viewed in contrast with that of Capt. [DatePublished] => 2001-09-02 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1427878 [AuthorName] => Joy G. Virata [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [2] => Array ( [ArticleID] => 130750 [Title] => Of heels and heroes [Summary] => Two plays are currently on-stage that are as far apart in taste as English tea (without the cream and sugar) and Pinoy salabat. These are Repertory Philippines’ Ten Little Indians by Agatha Christie at the William J. Shaw Theater, Shangri-La Plaza Mall, and Tanghalang Pilipino’s El Camino Real by Nick Joaquin at the Tanghalang Aurelio V. Tolentino, Sentrong Pangkultura ng Pilipinas.

Can a moonlighting critic write of the Rep production something like this?
[DatePublished] => 2001-08-20 00:00:00 [ColumnID] => 133225 [Focus] => 0 [AuthorID] => 1386314 [AuthorName] => Jess Q. Cruz [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [3] => Array ( [ArticleID] => 128448 [Title] => An interview with the future [Summary] => Right off I find historical plays dull and monotonous. In re-examining the lives of our heroes and seeing the present state of our country, I assess with bitterness that they died for pretty much nothing. Did our heroes give up their lives a hundred years ago for the present Erap trial, corruption in the government, kidnapings by the Abu Sayyaf and the peso inflation rate? They must be turning in their graves.
[DatePublished] => 2001-07-30 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1291997 [AuthorName] => Edna Vida-Froilan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
EL CAMINO REAL
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 452384
                    [Title] => Remembering our first president
                    [Summary] => 

On March 22, 2009, the 140th anniversary of President Emilio Aguinaldo passed with little fanfare.

[DatePublished] => 2009-03-28 00:00:00 [ColumnID] => 135429 [Focus] => 0 [AuthorID] => 1115213 [AuthorName] => Alejandro R. Roces [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 132299 [Title] => Miong’s mother [Summary] => Interesting, but sad and a bit unfair, is Tanghalang Pilipino’s portrayal of Kapitana Teneng, mother of Emilio Aguinaldo, in Nick Joaquin’s El Camino Real. This strong woman was portrayed as the villain – the higante – in Aguinaldo’s life who reduces him to a sniveling coward. Even more tragic, in my opinion, is this portrayal as viewed in contrast with that of Capt. [DatePublished] => 2001-09-02 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1427878 [AuthorName] => Joy G. Virata [SectionName] => Sunday Lifestyle [SectionUrl] => sunday-life [URL] => ) [2] => Array ( [ArticleID] => 130750 [Title] => Of heels and heroes [Summary] => Two plays are currently on-stage that are as far apart in taste as English tea (without the cream and sugar) and Pinoy salabat. These are Repertory Philippines’ Ten Little Indians by Agatha Christie at the William J. Shaw Theater, Shangri-La Plaza Mall, and Tanghalang Pilipino’s El Camino Real by Nick Joaquin at the Tanghalang Aurelio V. Tolentino, Sentrong Pangkultura ng Pilipinas.

Can a moonlighting critic write of the Rep production something like this?
[DatePublished] => 2001-08-20 00:00:00 [ColumnID] => 133225 [Focus] => 0 [AuthorID] => 1386314 [AuthorName] => Jess Q. Cruz [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) [3] => Array ( [ArticleID] => 128448 [Title] => An interview with the future [Summary] => Right off I find historical plays dull and monotonous. In re-examining the lives of our heroes and seeing the present state of our country, I assess with bitterness that they died for pretty much nothing. Did our heroes give up their lives a hundred years ago for the present Erap trial, corruption in the government, kidnapings by the Abu Sayyaf and the peso inflation rate? They must be turning in their graves.
[DatePublished] => 2001-07-30 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1291997 [AuthorName] => Edna Vida-Froilan [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
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