Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 133151
                    [Title] => Woven  Dreams
                    [Summary] => I have a piece of t’nalak, over five meters in length, woven by Ellen Osman, a student at Lang Dulay’s weaving school.  The pattern involves a sawa, or python, a recurring symbol in t’nalak patterns.  I wanted to ask Lang Dulay, from whom I got the t’nalak, about the pattern, but we could not understand each other.  


                    [DatePublished] => 2001-09-09 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1267617
                    [AuthorName] => Dina Sta. Maria
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 85884
                    [Title] => Woes of women in want
                    [Summary] => 
Bankard Ticket Charge had opened its ninth Performance Arts Season the last weekend of March with a splendid production of Noel Coward’s Private Lives. This satire on the British idle rich on the French Riviera was invested with sophistication, charm and wry English wit.


                    [DatePublished] => 2001-05-27 00:00:00
                    [ColumnID] => 133225
                    [Focus] => 0
                    [AuthorID] => 1386314
                    [AuthorName] => Jess Q. Cruz
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)

DREAMWEAVERS

Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 133151
                    [Title] => Woven  Dreams
                    [Summary] => I have a piece of t’nalak, over five meters in length, woven by Ellen Osman, a student at Lang Dulay’s weaving school.  The pattern involves a sawa, or python, a recurring symbol in t’nalak patterns.  I wanted to ask Lang Dulay, from whom I got the t’nalak, about the pattern, but we could not understand each other.  


                    [DatePublished] => 2001-09-09 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1267617
                    [AuthorName] => Dina Sta. Maria
                    [SectionName] => Starweek Magazine
                    [SectionUrl] => starweek-magazine
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 85884
                    [Title] => Woes of women in want
                    [Summary] => 
Bankard Ticket Charge had opened its ninth Performance Arts Season the last weekend of March with a splendid production of Noel Coward’s Private Lives. This satire on the British idle rich on the French Riviera was invested with sophistication, charm and wry English wit.


                    [DatePublished] => 2001-05-27 00:00:00
                    [ColumnID] => 133225
                    [Focus] => 0
                    [AuthorID] => 1386314
                    [AuthorName] => Jess Q. Cruz
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

        )

)

abtest

Woven Dreams

By Dina Sta. Maria | September 9, 2001 - 12:00am

I have a piece of t’nalak, over five meters in length, woven by Ellen Osman, a student at Lang Dulay’s weaving school. The pattern involves a sawa, or python, a recurring symbol in t’nalak patterns....

Starweek Magazine

Woes of women in want

By Jess Q. Cruz | May 27, 2001 - 12:00am

Bankard Ticket Charge had opened its ninth Performance Arts Season the last weekend of March with a splendid production of Noel Coward’s Private Lives. This satire...

Arts and Culture