^
+ Follow DOMS ILIO Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 330846
                    [Title] => UN, Central, Carriedo
                    [Summary] => Once there was a girl, nameless as usual, whom we followed in a jeepney ride along Taft Avenue in a now forgotten decade. A girl from St. Scholastica’s College, with a bracelet around her ankle. She got off somewhere in Pasay, where we stalked her a bit before trailing off.


Of course, not before asking that classic line, "Miss, can I know your name?" which scared her off and nevertheless evolved into a poem called "The Girl who Rode on Fassbinder’s Jeepney," the pedestrian transforming from a form of pedophilia into something more sublime.
[DatePublished] => 2006-04-10 00:00:00 [ColumnID] => 133271 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
DOMS ILIO
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 330846
                    [Title] => UN, Central, Carriedo
                    [Summary] => Once there was a girl, nameless as usual, whom we followed in a jeepney ride along Taft Avenue in a now forgotten decade. A girl from St. Scholastica’s College, with a bracelet around her ankle. She got off somewhere in Pasay, where we stalked her a bit before trailing off.


Of course, not before asking that classic line, "Miss, can I know your name?" which scared her off and nevertheless evolved into a poem called "The Girl who Rode on Fassbinder’s Jeepney," the pedestrian transforming from a form of pedophilia into something more sublime.
[DatePublished] => 2006-04-10 00:00:00 [ColumnID] => 133271 [Focus] => 0 [AuthorID] => 1431668 [AuthorName] => Juaniyo Arcellana [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
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