+ Follow DIEGO VELASQUEZ Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 567386
[Title] => 'El Prado Project: Dialogue with the Masters' at Ayala Museum
[Summary] => The influence of a master’s painting to that of its audience can be overwhelming, especially for contemporary visual artists who looks at the works of old masters as sources of inspiration and creation.
[DatePublished] => 2010-04-19 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
[1] => Array
(
[ArticleID] => 555212
[Title] => Scarlet fever
[Summary] => Fashion designer Jan Garcia has lately fixated on a rather unusual silhouette.
[DatePublished] => 2010-03-07 00:00:00
[ColumnID] => 136123
[Focus] => 0
[AuthorID] => 1392115
[AuthorName] => Joanne Zapanta-Andrada
[SectionName] => Allure
[SectionUrl] => allure
[URL] =>
)
)
)
DIEGO VELASQUEZ
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 567386
[Title] => 'El Prado Project: Dialogue with the Masters' at Ayala Museum
[Summary] => The influence of a master’s painting to that of its audience can be overwhelming, especially for contemporary visual artists who looks at the works of old masters as sources of inspiration and creation.
[DatePublished] => 2010-04-19 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] =>
)
[1] => Array
(
[ArticleID] => 555212
[Title] => Scarlet fever
[Summary] => Fashion designer Jan Garcia has lately fixated on a rather unusual silhouette.
[DatePublished] => 2010-03-07 00:00:00
[ColumnID] => 136123
[Focus] => 0
[AuthorID] => 1392115
[AuthorName] => Joanne Zapanta-Andrada
[SectionName] => Allure
[SectionUrl] => allure
[URL] =>
)
)
)
abtest
