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In “Duo,” Korea’s Yewon Dance Co. and Ballet Manila performed jointly, first at Aliw, then at Star, with the Korean ensemble of 48 ballerinas and a single danseur rendering far more dances than the local.

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For every concert, each ballet company faces the challenge of rendering ballet tradition dynamic and attractive. In its most recent program, Ballet Manila faced a new challenge: the fusion of ballet and ballads as envisioned and conceptualized by MBC president Fred Elizalde, husband of Lisa Macuja, Ballet Manila’s leading ballerina and artistic director.
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DAWNA MANGAHAS

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In “Duo,” Korea’s Yewon Dance Co. and Ballet Manila performed jointly, first at Aliw, then at Star, with the Korean ensemble of 48 ballerinas and a single danseur rendering far more dances than the local.

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For every concert, each ballet company faces the challenge of rendering ballet tradition dynamic and attractive. In its most recent program, Ballet Manila faced a new challenge: the fusion of ballet and ballads as envisioned and conceptualized by MBC president Fred Elizalde, husband of Lisa Macuja, Ballet Manila’s leading ballerina and artistic director.
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abtest

Korean, Phl dances in Duo fascinate, awe, dazzle!

By SUNDRY STROKES | February 2, 2013 - 12:00am

In “Duo,” Korea’s Yewon Dance Co. and Ballet Manila performed jointly, first at Aliw, then at Star, with the Korean ensemble of 48 ballerinas and a single danseur rendering far more dances than...

Opinion

In 'Ballet and Ballads', the dances predominate

By SUNDRY STROKES | March 27, 2010 - 12:00am

For every concert, each ballet company faces the challenge of rendering ballet tradition dynamic and attractive. In its most recent program, Ballet Manila faced a new challenge: the fusion of ballet and ballads as...

Opinion