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Array ( [results] => Array ( [0] => Array ( [ArticleID] => 924297 [Title] => The man who sold us the world [Summary] =>First, there is that annoying album cover: “Heroes” defaced by a generic white box atop it, the words “The Next Day” splatted inside in generic Helvetica.
[DatePublished] => 2013-03-27 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => For Men [SectionUrl] => for-men [URL] => ) [1] => Array ( [ArticleID] => 188052 [Title] => Tori Amos' strange cornflake travelogue [Summary] => Yes, testosterone-driven heavy metal and angst-ridden alt-rock rule. Jane’s Addiction, Soundgarden, Radiohead, Led Zeppelin, Dream Theater and Rush sound both bleak and transcendent at the same time. [DatePublished] => 2002-12-15 00:00:00 [ColumnID] => 133579 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
DAVID TORN
Array ( [results] => Array ( [0] => Array ( [ArticleID] => 924297 [Title] => The man who sold us the world [Summary] =>First, there is that annoying album cover: “Heroes” defaced by a generic white box atop it, the words “The Next Day” splatted inside in generic Helvetica.
[DatePublished] => 2013-03-27 00:00:00 [ColumnID] => 136008 [Focus] => 0 [AuthorID] => 1804693 [AuthorName] => Scott R. Garceau [SectionName] => For Men [SectionUrl] => for-men [URL] => ) [1] => Array ( [ArticleID] => 188052 [Title] => Tori Amos' strange cornflake travelogue [Summary] => Yes, testosterone-driven heavy metal and angst-ridden alt-rock rule. Jane’s Addiction, Soundgarden, Radiohead, Led Zeppelin, Dream Theater and Rush sound both bleak and transcendent at the same time. [DatePublished] => 2002-12-15 00:00:00 [ColumnID] => 133579 [Focus] => 0 [AuthorID] => 1804862 [AuthorName] => Igan D’Bayan [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) ) )
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By Scott R. Garceau | March 27, 2013 - 12:00am
By Igan D’Bayan | December 15, 2002 - 12:00am
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