+ Follow Conversations with Erik Satie Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 1890518
[Title] => Edwin Wilwayco ‘converses’ with Erik Satie
[Summary] => You would think that an artist who does ritualistic, gestural abstracts would be a man who paints while floorstanding speakers gush forth loud jazz fusion, new directions in music by, say, Miles or Ornette, or by some oddball German composer toying with odd time signatures and mechanized percussions.
[DatePublished] => 2019-02-04 00:00:00
[ColumnID] => 133531
[Focus] => 1
[AuthorID] => 1804862
[AuthorName] => Igan D’Bayan
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] => https://media.philstar.com/photos/2019/02/03/arts2-edwin-wilwayco_2019-02-03_16-59-05680_thumbnail.jpg
)
)
)
Conversations with Erik Satie
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 1890518
[Title] => Edwin Wilwayco ‘converses’ with Erik Satie
[Summary] => You would think that an artist who does ritualistic, gestural abstracts would be a man who paints while floorstanding speakers gush forth loud jazz fusion, new directions in music by, say, Miles or Ornette, or by some oddball German composer toying with odd time signatures and mechanized percussions.
[DatePublished] => 2019-02-04 00:00:00
[ColumnID] => 133531
[Focus] => 1
[AuthorID] => 1804862
[AuthorName] => Igan D’Bayan
[SectionName] => Arts and Culture
[SectionUrl] => arts-and-culture
[URL] => https://media.philstar.com/photos/2019/02/03/arts2-edwin-wilwayco_2019-02-03_16-59-05680_thumbnail.jpg
)
)
)
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