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THE INCREDIBLE BOND between a mother and child is at the very heart of Flightplan, says Jodie Foster. And when that relationship is threatened there are hidden reserves of strength and resolve which can be drawn upon.


Foster, a mother of two boys herself, plays Kyle Pratt, a grieving wife who is returning home to the United States with her young daughter, after a terrible accident has robbed them of a husband and father.


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                    [Title] => So where’s the ‘panic’ in the room?
                    [Summary] => Film review: Panic Room


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                    [Title] => Sloppy seconds
                    [Summary] => During the opening credits to Hannibal, director Ridley Scott’s long-awaited follow-up to The Silence of the Lambs, a piece of music plays: it’s the "Aria" to Bach’s Goldberg Variations, performed by Glenn Gould. But this is not the earlier, more spry version recorded by Gould in his youth; it’s the later, longer version, recorded in his 40s: tentative, hesistant, full of stops and starts signifying an older, more meditative mind at work.


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CLARICE STARLING

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THE INCREDIBLE BOND between a mother and child is at the very heart of Flightplan, says Jodie Foster. And when that relationship is threatened there are hidden reserves of strength and resolve which can be drawn upon.


Foster, a mother of two boys herself, plays Kyle Pratt, a grieving wife who is returning home to the United States with her young daughter, after a terrible accident has robbed them of a husband and father.


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Foster Flies

By Kurt Langley | October 30, 2005 - 12:00am

THE INCREDIBLE BOND between a mother and child is at the very heart of Flightplan, says Jodie Foster. And when that relationship is threatened there are hidden reserves of strength and resolve which can be...

Starweek Magazine

So where’s the ‘panic’ in the room?

By Philip Cu-Unjieng | June 5, 2002 - 12:00am

Film review: Panic Room

Entertainment

Sloppy seconds

By Scott R. Garceau | March 20, 2001 - 12:00am

During the opening credits to Hannibal, director Ridley Scott’s long-awaited follow-up to The Silence of the Lambs, a piece of music plays: it’s the "Aria" to Bach’s Goldberg Variations,...

Entertainment