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                    [ArticleID] => 92169
                    [Title] => Cinema as the only absolute national language
                    [Summary] => Have you heard the anecdote about the film critic who wrote a "smashing review?"


It goes like this: After writing a rather critical review, she meets the director in a party. The guy, then cradling a guitar, looks up, sees her, stands up and hits her with the guitar.


It seems like the stuff you’d see only in the celluloid flicks, but here’s the catch: it really happened – to an esteemed critic, no less!


Today, Christa Maerker looks back at that incident with fond amusement.


                    [DatePublished] => 2000-10-15 00:00:00
                    [ColumnID] => 133272
                    [Focus] => 0
                    [AuthorID] => 1205975
                    [AuthorName] => by Tinnie P. Esguerra
                    [SectionName] => Entertainment
                    [SectionUrl] => entertainment
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CHRISTA MAERKER

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                    [ArticleID] => 92169
                    [Title] => Cinema as the only absolute national language
                    [Summary] => Have you heard the anecdote about the film critic who wrote a "smashing review?"


It goes like this: After writing a rather critical review, she meets the director in a party. The guy, then cradling a guitar, looks up, sees her, stands up and hits her with the guitar.


It seems like the stuff you’d see only in the celluloid flicks, but here’s the catch: it really happened – to an esteemed critic, no less!


Today, Christa Maerker looks back at that incident with fond amusement.


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                    [AuthorName] => by Tinnie P. Esguerra
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Cinema as the only absolute national language

By by Tinnie P. Esguerra | October 15, 2000 - 12:00am

Have you heard the anecdote about the film critic who wrote a "smashing review?" It goes like this: After writing a rather critical review, she meets the director in a party. The guy, then cradling a guitar,...

Entertainment