+ Follow CHING VALDES Tag
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[ArticleID] => 212193
[Title] => Incomparable Cecile
[Summary] => The most remarkable thing about Filipino playwriting in the mid-sixties was its perennially nascent state: Philippine drama always seemed on the verge of being born for the last 30 years or so. The published works these were in English hardly progressed beyond one-act plays usually written by authors with little or no actual involvement in theater.
[DatePublished] => 2003-07-02 00:00:00
[ColumnID] => 135822
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
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CHING VALDES
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 212193
[Title] => Incomparable Cecile
[Summary] => The most remarkable thing about Filipino playwriting in the mid-sixties was its perennially nascent state: Philippine drama always seemed on the verge of being born for the last 30 years or so. The published works these were in English hardly progressed beyond one-act plays usually written by authors with little or no actual involvement in theater.
[DatePublished] => 2003-07-02 00:00:00
[ColumnID] => 135822
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
)
)
abtest