^
+ Follow CHING VALDES Tag
Array
(
    [results] => Array
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            [0] => Array
                (
                    [ArticleID] => 212193
                    [Title] => Incomparable Cecile
                    [Summary] => The most remarkable thing about Filipino playwriting in the mid-sixties was its perennially nascent state: Philippine drama always seemed on the verge of being born for the last 30 years or so. The published works – these were in English – hardly progressed beyond one-act plays usually written by authors with little or no actual involvement in theater.

[DatePublished] => 2003-07-02 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
CHING VALDES
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 212193
                    [Title] => Incomparable Cecile
                    [Summary] => The most remarkable thing about Filipino playwriting in the mid-sixties was its perennially nascent state: Philippine drama always seemed on the verge of being born for the last 30 years or so. The published works – these were in English – hardly progressed beyond one-act plays usually written by authors with little or no actual involvement in theater.

[DatePublished] => 2003-07-02 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
abtest
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