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Array ( [results] => Array ( [0] => Array ( [ArticleID] => 336377 [Title] => Other states of Reposo [Summary] => I wander around trying to find a new life, down old roads that seem somewhat new to me, but then I stop at the sense of something familiar. Maybe, just maybe, I will work on Wack Wack Road. Every time I go there, I am overcome by a sense of something familiar. I used to live at the old Wack Wack Condominium, when it was the only condominium in the neighborhood. That was in the early 80s, before we left for the United States, before my girls went to college. [DatePublished] => 2006-05-13 00:00:00 [ColumnID] => 135494 [Focus] => 0 [AuthorID] => 1805260 [AuthorName] => Barbara Gonzalez-Ventura [SectionName] => Modern Living [SectionUrl] => modern-living [URL] => ) [1] => Array ( [ArticleID] => 242675 [Title] => An assemblage of art at Joaquín [Summary] => It is not always that one walks in a gallery and see cheerful works. More often than not, gallery or even museum exhibitions these days draw power from somber works that take on issues of national and international import or works that capitalize on distorting, attenuating and even maiming the human figure to emphasize despair, if not outright disenfranchisement, of man in society today.
[DatePublished] => 2004-03-15 00:00:00 [ColumnID] => 133535 [Focus] => 0 [AuthorID] => 1804672 [AuthorName] => Ruben Defeo [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
CARLOS SAAVEDRA
Array ( [results] => Array ( [0] => Array ( [ArticleID] => 336377 [Title] => Other states of Reposo [Summary] => I wander around trying to find a new life, down old roads that seem somewhat new to me, but then I stop at the sense of something familiar. Maybe, just maybe, I will work on Wack Wack Road. Every time I go there, I am overcome by a sense of something familiar. I used to live at the old Wack Wack Condominium, when it was the only condominium in the neighborhood. That was in the early 80s, before we left for the United States, before my girls went to college. [DatePublished] => 2006-05-13 00:00:00 [ColumnID] => 135494 [Focus] => 0 [AuthorID] => 1805260 [AuthorName] => Barbara Gonzalez-Ventura [SectionName] => Modern Living [SectionUrl] => modern-living [URL] => ) [1] => Array ( [ArticleID] => 242675 [Title] => An assemblage of art at Joaquín [Summary] => It is not always that one walks in a gallery and see cheerful works. More often than not, gallery or even museum exhibitions these days draw power from somber works that take on issues of national and international import or works that capitalize on distorting, attenuating and even maiming the human figure to emphasize despair, if not outright disenfranchisement, of man in society today.
[DatePublished] => 2004-03-15 00:00:00 [ColumnID] => 133535 [Focus] => 0 [AuthorID] => 1804672 [AuthorName] => Ruben Defeo [SectionName] => Arts and Culture [SectionUrl] => arts-and-culture [URL] => ) ) )
abtest
By Barbara Gonzalez-Ventura | May 13, 2006 - 12:00am
By Ruben Defeo | March 15, 2004 - 12:00am
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