Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 288178
                    [Title] => Soul to Squeeze
                    [Summary] => There is always something stirring in a musician’s soul. 


                    [DatePublished] => 2005-07-25 00:00:00
                    [ColumnID] => 133531
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 242284
                    [Title] => Crows left of the mainstream
                    [Summary] => Aflashback: Almost two years ago, I interviewed Incubus guitarist Mike Einziger for PULP over the phone. The guys from Incubus were in Hobart, Australia, promoting the "Morning View" album, and Einziger was backstage, minutes before their Tasmanian gig. I couldn’t get past the fact that Mike was one easy-going, well-grounded fellow. Even if he was the guitarist behind those stellar, oft-kilter guitar parts in Incubus’ heavy funk numbers, spacey love songs and offbeat odes to spontaneous combustion.
                    [DatePublished] => 2004-03-12 00:00:00
                    [ColumnID] => 133579
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
                )

        )

)

BITCHES BREW

Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 288178
                    [Title] => Soul to Squeeze
                    [Summary] => There is always something stirring in a musician’s soul. 


                    [DatePublished] => 2005-07-25 00:00:00
                    [ColumnID] => 133531
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Arts and Culture
                    [SectionUrl] => arts-and-culture
                    [URL] => 
                )

            [1] => Array
                (
                    [ArticleID] => 242284
                    [Title] => Crows left of the mainstream
                    [Summary] => Aflashback: Almost two years ago, I interviewed Incubus guitarist Mike Einziger for PULP over the phone. The guys from Incubus were in Hobart, Australia, promoting the "Morning View" album, and Einziger was backstage, minutes before their Tasmanian gig. I couldn’t get past the fact that Mike was one easy-going, well-grounded fellow. Even if he was the guitarist behind those stellar, oft-kilter guitar parts in Incubus’ heavy funk numbers, spacey love songs and offbeat odes to spontaneous combustion.
                    [DatePublished] => 2004-03-12 00:00:00
                    [ColumnID] => 133579
                    [Focus] => 0
                    [AuthorID] => 1804862
                    [AuthorName] => Igan D’Bayan
                    [SectionName] => Young Star
                    [SectionUrl] => young-star
                    [URL] => 
                )

        )

)

abtest

Soul to Squeeze

By Igan D’Bayan | July 25, 2005 - 12:00am

There is always something stirring in a musician’s soul.

Arts and Culture

Crows left of the mainstream

By Igan D’Bayan | March 12, 2004 - 12:00am

Aflashback: Almost two years ago, I interviewed Incubus guitarist Mike Einziger for PULP over the phone. The guys from Incubus were in Hobart, Australia, promoting the "Morning View" album, and Einziger...

Young Star