+ Follow BILLIE HOLIDAY AND BESSIE SMITH Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 198876
[Title] => Shed rather be called a song stylist
[Summary] => With hindsight, we can now joke that when Norah Jones entitled her EMI debut album Come Away With Me, it was not directed at some distant lover or even her listening public. Instead, it was a siren song aimed at those gramophone statuettes that are the envy and coveted possessions of musicians everywhere, the Grammies. How else can we explain the romp, the virtual shutout, the everything- but-the-kitchen-sink manner with which Norah made this years Grammies her personal waltz?
[DatePublished] => 2003-03-14 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1805321
[AuthorName] => Philip Cu-Unjieng
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
BILLIE HOLIDAY AND BESSIE SMITH
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 198876
[Title] => Shed rather be called a song stylist
[Summary] => With hindsight, we can now joke that when Norah Jones entitled her EMI debut album Come Away With Me, it was not directed at some distant lover or even her listening public. Instead, it was a siren song aimed at those gramophone statuettes that are the envy and coveted possessions of musicians everywhere, the Grammies. How else can we explain the romp, the virtual shutout, the everything- but-the-kitchen-sink manner with which Norah made this years Grammies her personal waltz?
[DatePublished] => 2003-03-14 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1805321
[AuthorName] => Philip Cu-Unjieng
[SectionName] => Entertainment
[SectionUrl] => entertainment
[URL] =>
)
)
)
abtest