^
+ Follow AUSTRIAN ERNEST HOETZL Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 526212
                    [Title] => Superb Korean Soprano Yi / M. Cathedral, A. Tiu concerts
                    [Summary] => 

The concert of the petite, fetchingly attractive Korean soprano Yun-Kyoung Yi was appropriately titled “Bel Canto,” the singer having conveyed its true meaning “beautiful song” in the pure, smooth, flowing style of the Italian school of the 17th and 18th centuries.

[DatePublished] => 2009-11-25 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 191572 [Title] => Phil-Austrian concert [Summary] => Never has this reviewer heard the "Laughing Song" from the Die Fledermaus rendered with more panache than when Rachelle Gerodias sang it at last week’s Phil-Austrian concert in the CCP auditorium under the baton of Austrian guest conductor Ernest Hoetzl.
[DatePublished] => 2003-01-15 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
AUSTRIAN ERNEST HOETZL
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 526212
                    [Title] => Superb Korean Soprano Yi / M. Cathedral, A. Tiu concerts
                    [Summary] => 

The concert of the petite, fetchingly attractive Korean soprano Yun-Kyoung Yi was appropriately titled “Bel Canto,” the singer having conveyed its true meaning “beautiful song” in the pure, smooth, flowing style of the Italian school of the 17th and 18th centuries.

[DatePublished] => 2009-11-25 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) [1] => Array ( [ArticleID] => 191572 [Title] => Phil-Austrian concert [Summary] => Never has this reviewer heard the "Laughing Song" from the Die Fledermaus rendered with more panache than when Rachelle Gerodias sang it at last week’s Phil-Austrian concert in the CCP auditorium under the baton of Austrian guest conductor Ernest Hoetzl.
[DatePublished] => 2003-01-15 00:00:00 [ColumnID] => 135822 [Focus] => 0 [AuthorID] => [AuthorName] => [SectionName] => Opinion [SectionUrl] => opinion [URL] => ) ) )
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