^
+ Follow ANTHONY RAPP Tag
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 552585
                    [Title] => 'Rent' merits a rave
                    [Summary] => 

The play Rent doesn’t need an introduction these days. Jonathan Larson’s Pulitzer Prize-winning musical has won millions of hearts worldwide, and “Rent-heads” (as they affectionately call themselves) have spent weeks, even months, with songs by the original cast on repeat.

[DatePublished] => 2010-02-26 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1525223 [AuthorName] => Mirava M. Yuson [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [1] => Array ( [ArticleID] => 330301 [Title] => No day but today [Summary] => I remember my very first encounter with Jonathan Larson’s insanely popular musical Rent. It was almost exactly a decade ago when a good friend of mine who knew I enjoyed theater told me to finally give the classics a rest and try listening to a new, fresh, inspiring, and wholly passionate musical about love, friendship, living, and making the most of every single minute of every year of your life.
[DatePublished] => 2006-04-07 00:00:00 [ColumnID] => 134746 [Focus] => 0 [AuthorID] => 1513668 [AuthorName] => MEANWHILE By Michelle Katigbak [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [2] => Array ( [ArticleID] => 329078 [Title] => In a musical, nothing dreadful ever happens [Summary] => From the very beginning of his hiring, Chris Columbus adapting Jonathan Larson’s Rent for the screen, the past decade’s seminal musical of American theater, was like having Lindsay Lohan cover Debbie Harry: it was bound to be an exercise of plasticity over authenticity. Columbus is not a particularly awful filmmaker, just a very safe and bland one, which, with material like this, could have proved as disastrous. [DatePublished] => 2006-03-31 00:00:00 [ColumnID] => 133164 [Focus] => 0 [AuthorID] => 1447883 [AuthorName] => Lanz Leviste [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [3] => Array ( [ArticleID] => 328239 [Title] => From Stage To Screen, Rent Endures [Summary] => "Forget regret, or life is yours to miss. No other road. No other way. No day but today."
[DatePublished] => 2006-03-26 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1446560 [AuthorName] => Kurt Langley [SectionName] => Starweek Magazine [SectionUrl] => starweek-magazine [URL] => ) ) )
ANTHONY RAPP
Array
(
    [results] => Array
        (
            [0] => Array
                (
                    [ArticleID] => 552585
                    [Title] => 'Rent' merits a rave
                    [Summary] => 

The play Rent doesn’t need an introduction these days. Jonathan Larson’s Pulitzer Prize-winning musical has won millions of hearts worldwide, and “Rent-heads” (as they affectionately call themselves) have spent weeks, even months, with songs by the original cast on repeat.

[DatePublished] => 2010-02-26 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1525223 [AuthorName] => Mirava M. Yuson [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [1] => Array ( [ArticleID] => 330301 [Title] => No day but today [Summary] => I remember my very first encounter with Jonathan Larson’s insanely popular musical Rent. It was almost exactly a decade ago when a good friend of mine who knew I enjoyed theater told me to finally give the classics a rest and try listening to a new, fresh, inspiring, and wholly passionate musical about love, friendship, living, and making the most of every single minute of every year of your life.
[DatePublished] => 2006-04-07 00:00:00 [ColumnID] => 134746 [Focus] => 0 [AuthorID] => 1513668 [AuthorName] => MEANWHILE By Michelle Katigbak [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [2] => Array ( [ArticleID] => 329078 [Title] => In a musical, nothing dreadful ever happens [Summary] => From the very beginning of his hiring, Chris Columbus adapting Jonathan Larson’s Rent for the screen, the past decade’s seminal musical of American theater, was like having Lindsay Lohan cover Debbie Harry: it was bound to be an exercise of plasticity over authenticity. Columbus is not a particularly awful filmmaker, just a very safe and bland one, which, with material like this, could have proved as disastrous. [DatePublished] => 2006-03-31 00:00:00 [ColumnID] => 133164 [Focus] => 0 [AuthorID] => 1447883 [AuthorName] => Lanz Leviste [SectionName] => Young Star [SectionUrl] => young-star [URL] => ) [3] => Array ( [ArticleID] => 328239 [Title] => From Stage To Screen, Rent Endures [Summary] => "Forget regret, or life is yours to miss. No other road. No other way. No day but today."
[DatePublished] => 2006-03-26 00:00:00 [ColumnID] => 133272 [Focus] => 0 [AuthorID] => 1446560 [AuthorName] => Kurt Langley [SectionName] => Starweek Magazine [SectionUrl] => starweek-magazine [URL] => ) ) )
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