+ Follow ALLAN LAYAGUEN Tag
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[0] => Array
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[ArticleID] => 557560
[Title] => The Language Of Film In Cinemarehiyon 2010
[Summary] => The democratization of moviemaking, aided largely by now-affordable technology, has empowered many a filmmaker who, in previous years, did not have access to the tools to help them tell their stories.
[DatePublished] => 2010-03-14 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1489320
[AuthorName] => Maria Eleanor E. Valeros
[SectionName] => Freeman Cebu Entertainment
[SectionUrl] => cebu-entertainment
[URL] =>
)
[1] => Array
(
[ArticleID] => 522889
[Title] => Creative Chemistry in SineBuano
[Summary] => In a bid to become a significant player in the revitalization of Bisdak cinema—just like the many others who blazed trails like Leonard Chiu, Ruel Dahis Antipuesto, Jerrold Tarog, Remton Siega Zuasola, Ryan Zarra, Publio Briones III, Allan Jayme Rabaya and the late Benjie Ordonez, among a parliament of film buffs—the SineBuano crew converged to test creative chemistry and new equipment through a short film exercise like “Siya’y Tig” and comedy skits dubbed “Butangeee”.
[DatePublished] => 2009-11-14 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1489320
[AuthorName] => Maria Eleanor E. Valeros
[SectionName] => Freeman Cebu Entertainment
[SectionUrl] => cebu-entertainment
[URL] =>
)
[2] => Array
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[ArticleID] => 463384
[Title] => The making of "Boy/Dong"
[Summary] => CEBU, Philippines – SineBuano, Cebu’s in dependent filmmaking scene, could not wait for the second half of this year to work on its first film collaboration with Ryan Christopher Zarra of Tampa, Florida.
[DatePublished] => 2009-05-03 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1489320
[AuthorName] => Maria Eleanor E. Valeros
[SectionName] => Freeman Cebu Entertainment
[SectionUrl] => cebu-entertainment
[URL] =>
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)
ALLAN LAYAGUEN
Array
(
[results] => Array
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[0] => Array
(
[ArticleID] => 557560
[Title] => The Language Of Film In Cinemarehiyon 2010
[Summary] => The democratization of moviemaking, aided largely by now-affordable technology, has empowered many a filmmaker who, in previous years, did not have access to the tools to help them tell their stories.
[DatePublished] => 2010-03-14 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1489320
[AuthorName] => Maria Eleanor E. Valeros
[SectionName] => Freeman Cebu Entertainment
[SectionUrl] => cebu-entertainment
[URL] =>
)
[1] => Array
(
[ArticleID] => 522889
[Title] => Creative Chemistry in SineBuano
[Summary] => In a bid to become a significant player in the revitalization of Bisdak cinema—just like the many others who blazed trails like Leonard Chiu, Ruel Dahis Antipuesto, Jerrold Tarog, Remton Siega Zuasola, Ryan Zarra, Publio Briones III, Allan Jayme Rabaya and the late Benjie Ordonez, among a parliament of film buffs—the SineBuano crew converged to test creative chemistry and new equipment through a short film exercise like “Siya’y Tig” and comedy skits dubbed “Butangeee”.
[DatePublished] => 2009-11-14 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1489320
[AuthorName] => Maria Eleanor E. Valeros
[SectionName] => Freeman Cebu Entertainment
[SectionUrl] => cebu-entertainment
[URL] =>
)
[2] => Array
(
[ArticleID] => 463384
[Title] => The making of "Boy/Dong"
[Summary] => CEBU, Philippines – SineBuano, Cebu’s in dependent filmmaking scene, could not wait for the second half of this year to work on its first film collaboration with Ryan Christopher Zarra of Tampa, Florida.
[DatePublished] => 2009-05-03 00:00:00
[ColumnID] => 133272
[Focus] => 0
[AuthorID] => 1489320
[AuthorName] => Maria Eleanor E. Valeros
[SectionName] => Freeman Cebu Entertainment
[SectionUrl] => cebu-entertainment
[URL] =>
)
)
)
abtest
