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                    [Summary] => With hindsight, we can now joke that when Norah Jones entitled her EMI debut album Come Away With Me, it was not directed at some distant lover or even her listening public. Instead, it was a siren song aimed at those gramophone statuettes that are the envy and coveted possessions of musicians everywhere, the Grammies. How else can we explain the romp, the virtual shutout, the everything- but-the-kitchen-sink manner with which Norah made this year’s Grammies her personal waltz?
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AFTER GRAMMY

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She’d rather be called a song stylist

By Philip Cu-Unjieng | March 14, 2003 - 12:00am

With hindsight, we can now joke that when Norah Jones entitled her EMI debut album Come Away With Me, it was not directed at some distant lover or even her listening public. Instead, it was a siren song aimed at...

Entertainment