+ Follow AEOLIAN HALL Tag
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 388240
[Title] => Casals/String virtuosos
[Summary] => The Instituto Cervantes headed by Director Jose R. Rodriguez presented a tribute to Spanish Pablo Casals which featured leading instrumentalists cellist Renato Lucas and pianist Nena R. Villanueva at the Salon de Actos. Illness prevented me from attending the event.
[DatePublished] => 2007-03-07 00:00:00
[ColumnID] => 135822
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
[1] => Array
(
[ArticleID] => 193303
[Title] => Rauls signature piece: Rhapsody in Blue
[Summary] => No one of our concert pianists, I venture to say, interprets Gershwins Rhapsody in Blue in as dazzling a manner as Raul Sunico does. A little background on the piece might make the reader appreciate this assumption even more.
In 1923, the American conductor Paul Whiteman commissioned Gershwin to compose "a large work in the jazz idiom" for an all-American concert. The result was Rhapsody in Blue which, performed at NYs Aeolian Hall, made Gershwin famous overnight. "It was the coming of jazz into the concert hall."
[DatePublished] => 2003-01-29 00:00:00
[ColumnID] => 135822
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
)
)
AEOLIAN HALL
Array
(
[results] => Array
(
[0] => Array
(
[ArticleID] => 388240
[Title] => Casals/String virtuosos
[Summary] => The Instituto Cervantes headed by Director Jose R. Rodriguez presented a tribute to Spanish Pablo Casals which featured leading instrumentalists cellist Renato Lucas and pianist Nena R. Villanueva at the Salon de Actos. Illness prevented me from attending the event.
[DatePublished] => 2007-03-07 00:00:00
[ColumnID] => 135822
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
[1] => Array
(
[ArticleID] => 193303
[Title] => Rauls signature piece: Rhapsody in Blue
[Summary] => No one of our concert pianists, I venture to say, interprets Gershwins Rhapsody in Blue in as dazzling a manner as Raul Sunico does. A little background on the piece might make the reader appreciate this assumption even more.
In 1923, the American conductor Paul Whiteman commissioned Gershwin to compose "a large work in the jazz idiom" for an all-American concert. The result was Rhapsody in Blue which, performed at NYs Aeolian Hall, made Gershwin famous overnight. "It was the coming of jazz into the concert hall."
[DatePublished] => 2003-01-29 00:00:00
[ColumnID] => 135822
[Focus] => 0
[AuthorID] =>
[AuthorName] =>
[SectionName] => Opinion
[SectionUrl] => opinion
[URL] =>
)
)
)
abtest