Thirty years on, Orlina’s passion for glass has grown stronger. This much is evident as he presents his exhibition entitled "Quintessence" to celebrate his 30 years in sculpture at the MuseumSpace of, appropriately, the Glass Wing of Ayala Museum in Makati from October 26 to November 9.
"Quintessence" is part of the Director’s Choice series in which Ayala Museum director Nina Capistrano Baker annually chooses an artist that the institution will sponsor for an exhibit.
Curiously, Orlina celebrates three decades of his craft not by holding a retrospective of his works, but by presenting new and bold possibilities in his chosen medium.
"Quintessence" thus features new sculptures in glass in a mixture of colors such as green, amber and red, as well as those in pure black and bronze. It also includes works combining glass with other materials such as stainless steel.
The exhibit will also present studies and a model for one of Orlina’s most recent commissions. "Tetraglobal" is an 8.6 meter structure cast in bronze and with glass elements that will be unveiled at the University of Santo Tomas, Orlina’s alma mater, when it celebrates its quadricentennial year in 2011.
Another highlight of’"Quintessence" is a bronze piece cast from one of Orlina’s glass sculptures–an indication of his constant quest to push artistic boundaries.
"For me, it is still a continuous learning process. The artist’s role is to create. You have to develop new forms and present new ideas," Orlina enthuses.
This attitude has served the artist well, especially in his early days as a glass sculptor. An architect by profession, he went into art full-time and selected glass as a medium because of his fascination with it as a construction material. In a unique set-up with Republic Glass, he was able to observe up close the making of glass right in the factory and to talk with the people involved in its development.
From the knowledge and expertise that he gained there, Orlina eventually was able to transform glass cullets–considered as industrial waste–into beautiful works of art using the "cold" method of cutting, grinding and polishing. Because there were no glass artisans that he could learn from or train under, Orlina practically blazed the trail in carving glass in the country–thereby elevating what was regarded before as a "decorative" material into a high level of fine art.
Orlina’s glass creations have evolved through the years. He started with prismatic pieces, then developed organic forms, sculptures with holes, then ones with more texture, and still others incorporating a different range of materials.
"Glass is an endlessly intriguing material. This poses a greater challenge for me to explore its possibilities," he declares. "With no one to learn from here, no influences to follow and no standards to follow, I’ve had to devise my own style demanding originality and improvisation."
As he marks his 30th year as a glass sculptor, Orlina is looking forward to more years still discovering the many potentials and, indeed, the splendors of glass.