By Nick Hornby
Riverhead Books,
305 pages
The funny thing about Nick Hornby books is that they end up being better movies than novels. The British author of High Fidelity and About A Boy must have some pretty good connections, because Stephen Frears version of his novel about a record collectors romantic mishaps actually improved on the books comic timing; and Hugh Grant pulled one of his best roles out of a lumpy, wobbly book about an aging hipster who befriends a young lad.
Now theres How To Be Good, more ambitious than Hornbys earlier work, yet at the same time more tedious and preposterous. And you can bet bet just about anything that there will be a movie version, starring, oh, lets say Colin Firth as the cynical columnist who has a spiritual conversion. And Kristin Scott-Thomas, surely, will play the long-suffering wife who stands by him.
Just to prepare you for this cinematic eventuality, Hornby repeatedly has his female protagonist Katie Carr, G.P., say things like "If this were a movie," and "in the movie version of this moment " Its a self-conscious gesture that makes you realize how eminently filmable Hornbys output has been so far. He seems to think in movie dialogue, dovetailed scenes and comic bits that somehow miss being great by the end. (Witness About A Boy, the ending of which was rewritten for the movie version.) Theres a certain lightness, a TV-ness to his books, I think.
Yet Hornby has clear strengths a sharp comic voice chief among them that salvage How To Be Good from being Just Mediocre. And in his latest book he continues to raise the stakes, moving from self-relationship in High Fidelity to interpersonal relationships in About A Boy, finally progressing to ones relationship with the world. How To Be Good is a novel about ideas, finally, and maybe he accomplishes all he can in 300 swift, breezy pages.
At the opening, Katie is trying to tell her husband, David, that she wants a divorce over a cell phone. Its symbolic of how removed and distanced their communication has become. When she admits shes having an affair, David is at first stoic about the news. Katie soon learns hes been seeing a spiritual healer named DJ GoodNews who has made his back pain, along with his immense burden at being "The Angriest Man in Holloway" (the name of his newspaper column), disappear overnight. Suddenly hes giving money away to the homeless, sending his kids extra computer and toys off to orphan centers, and acting like the Second Coming.
The book focuses on Katies battle to retain her sense of "goodness" shes a doctor in a free clinic against Davids self-righteous conversion. In this, Hornby has a good time with Katies exasperation: David was a man who hated theater, movies, celebrities and just about anything associated with joy or fun. Now hes acting like a Pilgrim.
We walk out into the cold as if we were simply another pair of contented theatergoers. I cant resist asking.
"Did you enjoy that?"
"I did. Very much."
"Really? Very much?"
"Yes."
"But you hate the theater."
"I think I think I thought I hated the theater. It was it was a prejudice I hadnt examined properly."
"You want to be careful."
"Why?"
"If you start examining your prejudices carefully, therell soon be nothing left of you."
Teaming up with GoodNews a character who resembles a cockney, down-and-out version of Jesus Christ David decides to change his familys entire moral direction. He holds a neighborhood party and convinces half a dozen people to take homeless youths into their spare bedrooms. He forces his kids to go through Guilt Therapy, having them bring home and befriend somebody at school whom theyve mistreated. A lot of it backfires, but some of it, to Katies consternation, makes sense and begins to eat away at her own sense of self-worth.
To be honest, there are plausibility gaps in How To Be Good. Like, its hard to believe Katie would put up with so much pious bullshit from David for so long without hitting him over the head with a skillet. And its hard to believe that David would put GoodNews before his own wifes needs. You are led to believe that David has converted so radically that hes beyond conventional human relationships, and this doesnt quite convince. (Indeed, Katie does move out temporarily, just to retain a sense of her own being.) And each Nick Hornby book has to have at least one obligatory cornball scene; in How To Be Good, it takes place as Katie discovers her hubby has kept a secret wedding album stashed away under his bed, meaning hes really loved her all along.
Meanwhile, something has to be said about Hornbys dithering, self-debating style, which must make his books easy to read (and presumably easier to write). Katies first-person narrative allows Hornby to work in every little gag, witticism and train of thought he wants to pursue. But at times it feels like moth wings fluttering: theres very little direct impact on the reader; it all just kind of breezes by. Too much telling, not enough doing.
Of course, these are the kind of toss-off lines that will be resurrected and polished off for maximum comic impact in the movie screenplay. Because, lets face it, there will be a movie. Just you wait. They will probably have to rewrite the ambiguous non-ending of How To Be Good for Hollywood, but one thing is clear about Nick Hornby books: they are practically gagging to be made into movies.