The latest album from one of music medias ultimate darlings, and a retrospective CD from the current undisputed Queen of R n B make for great music buys. Its Gwen Stefanis
The Sweet Escape and Mary J. Bliges
Reflections that share the spotlight as women rule this weeks reviews.
Gwen Stefani The Sweet Escape (MCA Universal) |
It was at a recent awards show that I first caught Gwen Stefani performing
Wind It Up, the carrier single off her new CD,
The Sweet Escape. With a hilarious nod to the
Sound of Music and
Swiss yodeling, the song was a refreshing melange of that curious music style and her contemporary mix of hip-hop and Top 40 music. Collaborations with artists such as Pharell and Akon show the roots of her current musical direction, and they provide both relevance and commerciability.
Flourscent is my current favorite track, and while there are songs and shifts in style and tempo that remind one of Madonna, theres always a modern sensibility to the approach, and the music never meanders into retro territory. The "key" motif of the CD has to do with Harry Houdini and his infamous escape artistry, so is it any wonder that the motif had me thinking that Gwen is making her own declaration that one can never pin her or her music down? This time out the never-ending change of hairstyles and innovative videos dont detract at all from the quality music thats on display.
Mary J. Blige Reflections (A Retrospective) (MCA Universal) |
Mary is hands down the current unofficial Queen of Hip-hop Soul. Without attempting to wrest the throne or eclipse the reputations of such institutions as Aretha Franklin, Mary has carved an enviable reputation and seems to be enjoying the status accorded royalty. In the retrospective album, we get an inkling of just how deserving Mary is. Its a sort of greatest hits package that shows the strength of her pipes, and how everyone on the planet wants to do collaborations with her. George Michael enlists her for his interpretation of Stevie Wonders
As, theres
One with U2,
MJB the MVP with 50 cent, and Method Man gets into the act in the medley of
Ill Be There For You/Youre All I Need to Get By. The great thing about Mary is that she seems to take all the accolades that have built up over her 15-year career with a grain of salt. While songs like
Family Affair and
No More Drama show how well they can stand the test of time, its one of the four fresh tracks, a duet with John Legend, King and Queen, thats my most-played cut. To be honest, Mary was more like someone I was conscious of but had never really checked out, and the CD is a welcome "wake-up" call.