Reggae for a cause
March 27, 2006 | 12:00am
Pasakanin was formed in 2001, a move borne out of an exchange of ideas of some student activists, who would later become members of the group. With their student activist-related backgrounds, it is evident that the group wanted to be taken seriously as musicians with a cause by fans and critics alike.
Though the green colored CD cover was not clear enough to produce that statement (a lack of supervision during the printing process perhaps?), the credits mentioned a lot of political groups, and the writing style actually sounds like a student leader speaking on an afternoon rally.
Pasakanin is composed of Fraynere "Kulas" Holganza (lead vocals), Michelle Glyn "Meshlay" Betonio (vocals), Clark Anthony "Arki" Arche (percussion/vocals), Jo "Tae" Simpelo (percussion/vocals), Jan Jurel "Banjo" Enad (percussion/back-up vocals), Jon Ian "Yani" Sagun (keyboards/back-up vocals), Cyril Benedict "Cy" Umacob (lead guitar), John Reyford " Bob" Elento (rhythm guitar/back-up vocals), Rolando "Amats" Mata Jr. (bass) and Irvin Jupiter "Bitoy" Honoridez (drums).
Their first CD, "Paminaw Sa Among Kanta Intawn," is a musical journey from pre colonial tribal sonnets to modern day "reggae na bisaya" (RnB). Cebuano poetry and tribal instruments such as kubing, djiembe drums, gongs, and tboli chimes mystify the soul in Adjit, the opening track. In addition, mid tempo reggae groove parties and mirrors the fashion and culture of the student sector on the succeeding track, Pasakanin Song: "Tshirt nga puti with matching gisi-gisi notebook nga peacock, calculator yellow pad."
Though slight recording flaws might disturb the brain from getting the natural high, other cuts like Girl and Grab, with its keyboard-generated horn section and a soothing female back up vocals, and Different Shadows, with its bass and percussion combination in its intro, will likely fascinate both reggae lovers and village people alike.
Magkahiliusa starts with several break ins while Trabaho is a Tagalog song with distorted guitars ala Juan De la Cruz. These are typical social commentaries that categorize Pasakanin along the likes of Yano or Tropical Depression, yet the group boasts its own distinct regional trademark.
"Paminaw" is the group's effort to mix social activism and reggae music. Out of their local and foreign influences, the band recorded songs that celebrate love and culture and nation-building. Listening to the CD comfortably sets you up in a positive, feel-good mood.
And yes there's a remake of the Little Mermaid classic, "Under the Sea." In the vernacular, of course.
Contact Pasakanin at 09162791538.
Though the green colored CD cover was not clear enough to produce that statement (a lack of supervision during the printing process perhaps?), the credits mentioned a lot of political groups, and the writing style actually sounds like a student leader speaking on an afternoon rally.
Pasakanin is composed of Fraynere "Kulas" Holganza (lead vocals), Michelle Glyn "Meshlay" Betonio (vocals), Clark Anthony "Arki" Arche (percussion/vocals), Jo "Tae" Simpelo (percussion/vocals), Jan Jurel "Banjo" Enad (percussion/back-up vocals), Jon Ian "Yani" Sagun (keyboards/back-up vocals), Cyril Benedict "Cy" Umacob (lead guitar), John Reyford " Bob" Elento (rhythm guitar/back-up vocals), Rolando "Amats" Mata Jr. (bass) and Irvin Jupiter "Bitoy" Honoridez (drums).
Their first CD, "Paminaw Sa Among Kanta Intawn," is a musical journey from pre colonial tribal sonnets to modern day "reggae na bisaya" (RnB). Cebuano poetry and tribal instruments such as kubing, djiembe drums, gongs, and tboli chimes mystify the soul in Adjit, the opening track. In addition, mid tempo reggae groove parties and mirrors the fashion and culture of the student sector on the succeeding track, Pasakanin Song: "Tshirt nga puti with matching gisi-gisi notebook nga peacock, calculator yellow pad."
Though slight recording flaws might disturb the brain from getting the natural high, other cuts like Girl and Grab, with its keyboard-generated horn section and a soothing female back up vocals, and Different Shadows, with its bass and percussion combination in its intro, will likely fascinate both reggae lovers and village people alike.
Magkahiliusa starts with several break ins while Trabaho is a Tagalog song with distorted guitars ala Juan De la Cruz. These are typical social commentaries that categorize Pasakanin along the likes of Yano or Tropical Depression, yet the group boasts its own distinct regional trademark.
"Paminaw" is the group's effort to mix social activism and reggae music. Out of their local and foreign influences, the band recorded songs that celebrate love and culture and nation-building. Listening to the CD comfortably sets you up in a positive, feel-good mood.
And yes there's a remake of the Little Mermaid classic, "Under the Sea." In the vernacular, of course.
Contact Pasakanin at 09162791538.
BrandSpace Articles
<
>
- Latest
- Trending
Trending
Latest