Global fashion is feeling a major crunch in these hard times. In the recent Fall-Winter ‘09 shows, some of the most coveted names in New York, London, Milan and Paris have staged their shows in more practical venues. Invitations sent were less than usual: collections have downsized in number; boutiques have resorted to giving 70 percent off sales or worse some have closed down. Though it seems a dark cloud is hovering over the atmosphere worldwide, style is not suffering. Fashionistas have become recessionistas, the look for less is the current state in fashion as austerity continues to shed light on this overcast. After all, in this poor economic state, who would ever want to look it? Do we call it depression chic?
Luxury whether understated or full is having a major feline fetish. Animal wild is roaring style into our wardrobes in an array of mini and maxi dresses, separates, chunky bangles, patchwork-like or detailed bags and architectural heels or slip ons. Exotic skins and animal prints have transformed the wilderness or jungle into a haven of luxe finds. How can one resist its irresistible pedigree appeal that evokes more often than not the chic charm of high society. The once elitist look is no longer for the exclusive jet and stylesetters, its mainstream take has broken down borders and has made the look of luxury accessible and available to all. There is a bitter truth to be heard though –– not everyone moneyed has style.
The call of economic uncertainty is making global fashion think. Designers are rethinking design, silhouettes and form with practical and functional aesthetics. In the past depression eras the industry created significant movements that shaped style history (in the ‘30s, ‘60s and ‘70s). Revolutionary ideas arise to re-establish the presence of fashion, not as a mere diversion but reflection of the times. There is an optimistic ideal that reinstates the real meaning of fashion in our lives and how it adapts to the present.
(E-mail the author at mymultiplechoice@yahoo.com)